
Directing
Jacques Drouin
Born 1943-05-28
Acting credits
NRThis documentary is a portrait of the animator of Le Paysagiste, from his childhood in Eastern Quebec to his career at the NFB. Trained at the École des beaux-arts de Montréal and the University of California at Los Angeles (UCLA), Drouin became in some ways the heir to Alexandre Alexeïeff when he began working with the Alexeïeff-Parker pinhole screen in 1974. Recounting his relationship with the filmmaker and inventor, coming back with lucidity and precision on the whole of his own filmography, Jacques Drouin delivers here a precious testimony on creation. Enriched with numerous excerpts and unpublished images from the filmmaker's personal archives, Jacques Drouin en relief is both the adventure of a lifetime and a valuable lesson in cinema.
Jacques Drouin: In Relief
2009
NRThe Pinscreen is a tool that was created in the 1930s to make animation films. Although it no longer provides any technical advantages, a handful of animation directors still use it. This film explores why it is so important to create something handmade with constraints, in a time when everything is turning towards instantaneous digital technology.
Why Pinscreen?
2024
NRJacques Drouin's artistic trajectory is closely tied to the Alexeïeff-Parker pinscreen. No other filmmaker has employed the device with such dedication since Alexeïeff himself, who created the design in 1931. Consisting of a perforated board with 240,000 adjustable pins, the pinscreen can be manipulated to create evocative moving images.
Making Movie History: Jacques Drouin
2013
7.0An anthology of sequences from the best films that the National Film Board of Canada produced since its beginnings. Divided by themes and presented by a trio of actors-signers (including Carle's wife Chloé Sainte-Marie) who sings the same song in between the movie excerpts. This movie celebrated the anniversary of the National Film Board in 1985.
Cinéma, cinéma
1985
NRAlexander Alekseev, Alyosha, Alfeoni ... artist, animator, inventor. The author of "Night on Bald Mountain" — one of the most mysterious films in the history of animation and the inventor of a unique device — a needle screen . He did the first color commercials and the prologue to the Orson Welles film "The Trial". He made dreams come true and subordinated reality to his own imagination.
Dreams about Alfeoni
2002
Behind the camera
6.3The story of a young boy and his father, both of whom are enlisted to fight in the war. The boy's pride soon turns to fear as the bullets whistle overhead. His father takes his place and is immediately shot and killed. Horrified, the boy understands that war is not a game.
Ex-Child
1994
6.3The story of a young boy and his father, both of whom are enlisted to fight in the war. The boy's pride soon turns to fear as the bullets whistle overhead. His father takes his place and is immediately shot and killed. Horrified, the boy understands that war is not a game.
Ex-Child
1994
7.0In this non-narrative animated film inspired by composer François Couperin's harpsichord composition "Barricades mystérieuses," Jacques Drouin explores a whole new way of using the pinscreen to create animated images. He pivots the screen and uses low-angled light to capture images in high relief. The result is like a sculpture whose expertly modelled forms are revealed through film. A film without words.
Imprints
2004
6.0An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).
Winter Days
2003
6.4In this short, an artist creates a painting of the landscape he sees, then finds he can literally climb into the picture to see the fantastic world inside.
Mindscape
1976
6.4In this short, an artist creates a painting of the landscape he sees, then finds he can literally climb into the picture to see the fantastic world inside.
Mindscape
1976
6.4When a man becomes blind, his life is all turned around. He can only use his touch to get around in his house. The objects become enemies. But an angel is looking over him.
Nightangel
1986
NRAnimation by Jacques Drouin.
The Letter
1968
NRAnimation by Jacques Drouin.
The Letter
1968
5.7This short animated film follows Antoine, a young boy fascinated by his mysterious neighbour, a man rumoured to have once been a big game hunter. Antoine is eager to learn about hunting, but the lesson he learns from the wise older man is not at all what he had expected: Antoine is left with a profound reverence for life.
A Hunting Lesson
2001
NRExperimental short piece by Jacques Drouin
Angel Trap
1968
NRStudent film directed by Jacques Drouin.
Cutouts
1967
7.0Animated short film made in three parts on the pin screen by Alexeieff-Parker. With these three exercises, director Jacques Drouin experiments with the play of light and shadow alone. Original, this experience presents us with a reality that is not truncated although it may appear as follows: the faculty of wonder will be able to create the necessary link between everyday life and the way it was rendered.
Trois exercices sur l'écran d'épingles d'Alexeieff
1974
Short film by Jacques Drouin and Nicole Morisset
Angel's Flight Rendez-vous
1969