Stéphanie Michelini

A transgender woman returns — with her two male lovers — to her family home in the countryside to look after her dying mother.

Life Is About Losing Everything is a hybrid documentary, equal parts feminist artist portrait and fantastical memoir, exploring loss and love through the lens of pop culture and art. Based on Canadian poet Lynn Crosbie’s memoir of the same name, the film follows multiple fictionalized incarnations of Crosbie as they embark on a delirious journey through the writer’s memories and imagination, encountering celebrity lookalikes, an inch-tall man, uncanny high schoolers, and a Zombie Sylvia Plath along the way. Drawing on a wealth of pop and literary references, Life Is About Losing Everything reflects on the role of art and storytelling in finding kinship and giving meaning to our lives.

Paris, 1992. Julien, a science thesis student, learns of the death of Christophe, a young suburban hairdresser he had met a few months earlier on a gay phone line. He sets off on a journey to retrace their history and try to understand and forgive.

When an elderly priest died, the people in charge of his diocese discovered that it was a woman. Without anyone suspecting it, she had been practicing her vocation for years. Dismayed, the bishop decided to launch an investigation and asked the chancellor of the diocese to find out how, why and with what complicity such a deception was possible.

The story of a young boy from North of France who will need to kill ghosts from the past to live her new life as a woman.

A young gay boy, from his birth to his teenage years, in which he experiments his sexuality and his own boundaries, to the day he finally meets his father. In three acts: Act I — L'Annonciation or The Conception of a Little Gay Boy (2011); Act II — Little Gay Boy, ChrisT is Dead (2012); and Act III — Holy Thursday (The Last Supper) (2013).

Daniel is an artist who has lost his desire to paint. An unexpected meeting with three « working girls » one evening marks the beginning of a surreal adventure. Later that night, the wildest dreams and the worst nightmares of his three new muses unravel in his imagination.

Daphné, who cut off contact with her family 20 years ago, decides to come back and see her mother, Claudine. She fears the reunion and hope Claudine will put up with who she is now.

A teenager searches for meaningful connections with others while trying to build a steady relationship with her transsexual father and a stepdad who posts everything about their family online.

Eros and Thanatos. One deep breath: this is what Maël might need to cope with his partner Adam's suicide, a tragic event that, apart from great sorrow, has caused him to have a physical breakdown. He is troubled by his doubts about his lover's last drastic act, by how he put an end to his life and to their difficult relationship. But his grief turns into anger when he discovers that Adam had a secret long-term relationship with a woman called Patricia: he digs deep into his own memories, recollecting past events and eventually meeting his rival. On her part, Patricia will have to face unexpected dangers. A claustrophobic melodrama, with an unstructured and evocative narrative style. Here, South African director Antony Hickling, 34, confirms his visionary talent and ability to adopt a fresh point of view on queer cinema. All the performers are strictly gay and transgender, including Manuel Blanc, who was once André Téchiné's muse.

Jean-Christophe, about twenty, meets his father for the first time. In a forest where they have decided to meet, reality transforms itself and takes the form of a fantastic tale. For Jean-Christophe, the hour is of disappointment in front of the fantasized father who turns out to be very different from what he had dreamed.