Ferenc Lengyel

Set in 19th century Vienna, Ignac Semmelweis, a short-tempered but passionate doctor, delivers babies and carries out autopsies on a daily basis while looking for the cause of puerperal fever, the mysterious epidemic that decimates patients in the hospital.

András and Péter are two young men trying to make it big with their rock band in Budapest in the early 1980s. When the opportunity arises to attend the wedding of András's cousin in Transylvania, they decide to take it as a chance to raise some money. Once there, they embark on an unexpected adventure.

There was a train accident with fatalities. Keve meets strange figures. Are they realities or come from another world? Beacon is an apocalyptic vision, a Christian allegory and a coming-of-age story.

Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.

An anti-war film about the impact of war on a small community, based on the novel Love Land by Laura Iancu.

Mate, a lonely, divorced real estate agent is put in charge by his boss to sell a suburban storage building. The storage is rented by the Chinese, who keep their semi-legal goods here before selling them on the market. The stock comprising of several thousands of boxes is guarded by a Chinese man, Wu, who also lives in the storage. During this forced association a strange friendship begins between the two lonely men, even though Wu is told by his boss to prevent the sale of the storage under all circumstances. The boss is also giving enticing promises to Wu to help him realize his dream: go back to China and create his own football team. The situation is further complicated by the pizza girl, who is equally liked by both men and stirs up the strange life of the storage.

1990. The regime change reached the small village of Borsod. The people are unemployed and get drunk in the pub day after day. Csornai, the former potentate, wants to be mayor, so he lobbies. Polyak, a sullen, philandering lathe operator in his mid-forties, lives with his mother. He has stolen his father's lathe, which he himself has worked on for decades since his beloved father's death, from the factory that was shut down. An American tourist arrives in the village with a metal detector and begins investigating the border. It turns out that his father's plane crashed nearby at the end of the war, and he wants to find it. The pub is immediately in an uproar and the investigation begins. They find the grave of the Americans, but not everyone is there. Csornai wants to make a big deal of it, so he starts investigating. But the story takes an interesting turn, and suddenly the American's cherished...

In a hidden lot behind Pest’s tenements, loner Légiós has carved out a private refuge in his trailer and will do anything to keep the outside chaos at bay. When wealthy businessman Imre rolls up in his 1968 Ford Mustang seeking a secure spot, the two men launch a fierce duel, each escalating tactics to outwit the other and claim the coveted, corrugated-roof parking space.

A Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.

The film takes place in a present-day small Hungarian village in the middle of nowhere. Strangers hardly ever come to this place, everything outside of it seems to be in another world for the inhabitants. But one day everything changes, when a stranger from Budapest enters the pub. He is on his way to a vacation in Portugal and wants to spend some days in this village. He soon starts a love affair with the pub owner's daughter. The ex-policeman of the village doesn't like this at all...

Computers, TVs, cel tels and other telecom devices no longer work and the people are suffering severe withdrawal pains. Three brothers try to overcome their own major personal problems as the society slowly begins to find alternative ways of living.

Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.

Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.