Renée Shafransky

Production

Renée Shafransky

Queens, New York, USA

Renée Shafransky is an American writer, independent film producer and director, and psychotherapist.

Acting credits

Behind the camera

Gray's Anatomy poster
6.5

The film documents, in an often dramatic and humorous fashion, Gray's investigations into alternative medicine for an eye condition (Macular pucker) he had developed.

Gray's Anatomy

1996

Seven Women, Seven Sins poster
5.5

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Seven Women, Seven Sins

1986

Variety poster
5.4

A young woman becomes obsessed with pornography and the mysterious rich patrons of the Times Square porn theater where she works selling tickets.

Variety

1985

Gray Areas poster
NR

Filmed by Renée Shafransky, Gray Areas was a documentary of the Gray’s 1984 tour of fraternal Grange halls and senior-citizen drop-in centers throughout New England. During this spring tour, Gray performed “Interviewing the Audience” that was also documented by Shafransky.

Gray Areas

1984

Swimming to Cambodia poster
7.0

Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.

Swimming to Cambodia

1987

Monster in a Box poster
6.4

Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."

Monster in a Box

1992