Grischa Huber

In 1923 Berlin, following the suicide of his brother, an American acrobat struggles to survive while facing unemployment, depression, alcoholism, and the social decay of Germany during the Weimar Republic.

Director Jorge Silva Melo has developed a viable, though highly intellectual mystery story about the world of art and culture and murder in this somewhat theatrical presentation. When German artist Bernd Hoffmann (Michael König) arrives in Lisbon to oversee the installation of his paintings in a joint exhibition with another Berlin artist, Hanna Brauer (Charlotte Schwab), Hanna never shows up. Hoffmann is puzzled because he is certain he saw a video sequence with Hanna at the exhibition, and he begins to look for her. Another Lisbon cultural center, a theater, is also having problems that may or may not be related -- and the mystery deepens when Hanna is found dead, either by her own hand, or murdered.

Two surveyors come under the spell of the beautiful Vampira. Vampira then celebrates occult magic rites with her new companions in her castle with the Alder Queen Belladonna, a sorceress, a hunchback, and a werewolf.

A biography of Hildegard Knef, one of Germany's biggest post-war stars.

No synopsis available yet.

Marie is in Spain with her friends Frank and Steini looking for her missing dream man Jan. Frank discovers him on a lonely beach, but does not reveal the secret, and the three of them return to Germany. Five years later, when Frank is now married to Marie, he discovers an unsent letter to Jan at her place and forwards it. Jan returns home and initially lives with his parents, but when he finally meets Marie, she has to make a decision.

Two life stories. That of Malou, a French woman, married to a German Jew, a refugee stranded in South America: a picture of the pre-war generation reflected in the unusual destiny of an individual woman. And that of Hannah, an alert, independent, modern woman, seeking after freedom and her own identity, and trying in present-day Berlin to save her shaky marriage.

In the winter of 1977 Schaubühne staged texts from Hölderlin's "Hyperion" in the Olympic Stadium in Berlin, associating with historical, political events and terrorism of recent times.

Jealous conspirators convince Caesar's friend Brutus to join their assassination plot against Caesar. To stop Caesar from gaining too much power, Brutus and the conspirators kill him on the Ides of March.

Vannina and Giacinto are a young married couple who live their relationship in an unequal way; while the girl is submissive to the will of her husband Giacinto, he sees in his bride only the personal object of his sexual satisfaction.

Kerstin is a successful department head of a tax consulting firm in Berlin. She is respected and feared by her employees. Only one thing is too short in her life: for years she had no sex and no husband by her side. At the company, she wants to show that she can also party properly. The next morning, she wakes up in a hotel bed with two employees next to her: the hated opponent Simon and the "footman" Gregor. With the aid of her assistant Achim, she has lost all the memories of the previous evening. Her employees are forcing her to silence. Four months later, she realizes that she is pregnant and one of her nightmares is the father.

West Berlin, 1974. The revolution didn't happen like it was supposed. Grischa, a 30-year-old actress dissatisfied with standard left-wing politics, interviews working women to find out how they deal with being both mothers and members of society.

In the summer of 1976, a shared family yard becomes the setting, as the adults bicker over selling the garden and the kids are free to explore the mysterious neighboring lot. Then they hear about a girl that has disappeared...

When Jaider has to illegally poach in order to feed the citizens of a poor Alpine town, he gets into a blood-soaked conflict with the German authorities.

No synopsis available yet.

Criminal police and antitrust officials arrive at the headquarters of a plastics raw materials factory. They pored over files, seized materials, and discovered price lists, which were, of course, encrypted. Their suspicions of illegal price-fixing with apparent competitors, driven purely by greed, grew stronger and were ultimately confirmed, but they were unable to prove them. Bernd Schiedel, the company's sales manager and caught in the conflict between loyalty to his employer and the company, had initiated the operation himself by providing information.

The life and struggles of the German writer Heinrich von Kleist.

Franziska Luginsland protects the girl Jolanda from the police and helps him to find his mother.

Ticket seller Katrina is unexpectedly declared co-heiress of a shipping company. Thrown out of her simple life, she now has to deal with Hamburg's high society.

Film adaptation of the short Büchner story of the same name, which tells of the stay of the psychotic Sturm und Drang poet Lenz in the home of the Alsatian priest and philanthropist Oberlin. The poet, whose pathological hallucinations are becoming increasingly unbearable, hopes for help from the gentle clergyman. But Oberlin, too, knows no advice; he regards his friend's illness as God-given.

Couples and families in the days after September 11, 2001. All relationships become complictaed, but only one of the four nested stories surrounding a German who condemns the attack, and her husband, a Muslim who advocates it, offers approximate a discussion approach to the attack. The remaining episodes are poorly staged, construction-looking relationship tragedies.

In the hybrid form of documentary and dramatized scenes, the Barschel affair, one of the major domestic political scandals of the 1980s, is reconstructed. While the documentary scenes are reminiscent of the familiar television images of the scandal, the fictional scenes suggest to the viewer what might have happened when the cameras and microphones were turned off.

During Pinochet's military dictatorship in Chile, a father strives to free his daughter from the German religious sect, Colonia Dignidad.

No synopsis available yet.

West Berlin, 1974. The revolution didn't happen like it was supposed. Grischa, a 30-year-old actress dissatisfied with standard left-wing politics, interviews working women to find out how they deal with being both mothers and members of society.