Róbert Alföldi

A girl in her thirties who lost all her hope in finding love meets a black cat, who can talk, but only the girl can hear it.

I am not good enough. My results so far are simply due to luck. Everyone will laugh at me." - repines the well-known astronomy professor by his impostor syndrome. Meanwhile, an unprecedented overall power outage is about to take place in the city of Budapest. The astronomer, on the verge of a challenging discovery, plans to spend the hours of darkness in his observatory, benefiting from the absence of light pollution. He is getting disturbed by an unexpected visitor though, who - while being vibratingly annoying - may be of the professor's help to shed new light on the real subject of his exploration: his own self.

Henrik arrives at the Szentiványi family's castle for a celebratory dinner. Wine fills the glasses and Hungary's powerful construction dynasty welcomes him into its carefully ordered world. But Henrik is no ordinary guest. Only Anita, his girlfriend and the family's youngest daughter, suspects why he’s there. For generations, the Szentiványi's have moved through the highest political and economic circles, leaving crimes and unspoken debts in their wake. As the evening unfolds, casual remarks sharpen, silences deepen, and every polished courtesy seems to carry another meaning.

The 'National Documentary' captures the last months of the National Theater led by Róbert Alföldi. The film presents two opposite processes: the rehearsal of the play Mephisto, Alföldi's last direction and, in parallel, the dissolution of the troupe.

Twenty well-known Hungarian artists - 10 right-wing (said to be) and 10 left-liberal (said to be) writers, directors, actors, musicians talk about the regime change and what has happened to us here in the last 30 years.

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Olivér and Ficskó are fierce restaurant critics crusading for culinary excellence and mercilessly skewering inept chefs under the pseudonym “the Lumnitzer Sisters.” Offended restaurateurs hire resourceful young manager Milica to unmask, neutralize or recruit the critics - by bribery, seduction or, failing that, elimination. A battle of wits unfolds as Milica’s schemes clash with the critics’ razor-sharp reviews.

For two decades, Éva Janikovszky wrote her famous children's monologues, which have remained popular ever since. In some of her books, she always writes about the problems of her boy protagonist, which are related to a particular age. This is how the authors tried to fit the children's monologues "If I were an adult", "Something always happens to me" and the twin books "Be glad you're a boy" and "Be glad you're a girl" around the title work. The protagonist escapes from his life, full of commands and rules, first into the fantasy world of adulthood, then, trying to meet the challenges of going to school. Finally, he experiences the treacle of adolescence, when he is transformed from a clingy toddler into a novice, awkward adult by the conflicts of change. In Róbert Alföldi's film, children and adults play each other. The child in the adult role is very comic, and the adult relegated to the role of child is very awkward.

Our story takes place in a small frontier town that is a real cross-section of the dreaded terror of the 1950s. On October 23, 1956, the ÁVÓ is throwing a ball for the birthday of the daughter of the local Russian commander. At this ball, the young people plan a clash with the local armed forces. The plan is foiled when the ball is interrupted by news of the outbreak of the Budapest revolution. By this time, Juli, the daughter of the local caretaker commander, and Robi, the son of an actor who has been deported from the capital, are in love. In this revolutionary situation, can the two opposing hearts of love be for each other?

In Budapest’s Sixth District stands the “Noah’s Ark”, a “dirty-beautiful” tenement housing thirteen flats filled with a rapper, a poet, a washed-up footballer, an unfaithful wife, three aspiring actresses, retired cinema director Stock Ede and his home-bound octogenarian friend Aurél Tálas. When Ede, long disgusted by TV game shows, shocks everyone by entering “Hungary’s Best Grandpa” contest for a 5 million-forint prize, the building erupts in excitement.

Prinzenbad gives us a microcosm of a society dominated by male power plays, wheeling and dealing, corruption, love, and eroticism.

The film constructs a strongly conventionalised and symbolic world out of the diary fragments of a man who underwent an alcohol detoxification treatment. The protagonist of this unusual family story, Petunia Joe, lives in a house with his mother and grandfather. One day, he suddenly turns adult. Out in LIFE, he takes his first steps in the Factory. Meaningless work is performed and barren relationships are formed among the rusted walls.

Imre Horváth and his friends gather to celebrate his wife's birthday. They are confused because of the changes in the country's politics and want Horváth to be much more active politically, but he is more concerned about his affair with his best friend's daughter.