Norma Varden

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

The High-Sierra adventures of Ben Cartwright and his sons as they run and defend their ranch while helping the surrounding community.

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually crime fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon often calls with the latest emergency threatening Gotham City. Racing to the scene of the crime in the Batmobile, Batman and Robin must (with the help of their trusty Bat-utility-belt) thwart the efforts of a variety of master criminals, including The Riddler, The Joker, Catwoman, and The Penguin.

Jed Clampett's swamp is loaded with oil. When a wildcatter discovers the huge pool, Jed sells his land to the O.K. Oil Company and at the urging of cousin Pearl, moves his family to a 35-room mansion in Beverly Hills, California.

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

The High-Sierra adventures of Ben Cartwright and his sons as they run and defend their ranch while helping the surrounding community.

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually crime fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon often calls with the latest emergency threatening Gotham City. Racing to the scene of the crime in the Batmobile, Batman and Robin must (with the help of their trusty Bat-utility-belt) thwart the efforts of a variety of master criminals, including The Riddler, The Joker, Catwoman, and The Penguin.

Jed Clampett's swamp is loaded with oil. When a wildcatter discovers the huge pool, Jed sells his land to the O.K. Oil Company and at the urging of cousin Pearl, moves his family to a 35-room mansion in Beverly Hills, California.

The Red Skelton Show is an American variety show that was a television staple for two decades, from 1951 to 1971. It was second to Gunsmoke and third to The Ed Sullivan Show in the ratings during that time. Skelton, who had previously been a radio star, had appeared in several motion pictures as well. Although his television series is largely associated with CBS, where it appeared for more than fifteen years, it actually began and ended on NBC. During its run, the program received three Emmy Awards, for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in 1961.

Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

Cuban Bandleader Ricky Ricardo would be happy if his wife Lucy would just be a housewife. Instead she tries constantly to perform at the Tropicana where he works, and make life comically frantic in the apartment building they share with landlords Fred and Ethel Mertz, who also happen to be their best friends.

The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

Wilbur Post and his wife Carol move into a beautiful new home. When Wilbur takes a look in his new barn, he finds that the former owner left his horse behind. This horse is no ordinary horse . . . he can talk, but only to Wilbur, which leads to all sorts of misadventures for Wilbur and his trouble-making sidekick Mister Ed.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

Hazel is an American sitcom about a fictional live-in maid named Hazel Burke and her employers, the Baxters. The five-season, 154-episode series aired in primetime from September 28, 1961 until April 11, 1966 and was produced by Screen Gems. The show aired on NBC for its first four seasons, and then on CBS for its final season. The first season, except for one color episode was in black and white, the remainder in color. The show was based on the popular single-panel comic strip by cartoonist Ted Key, which appeared in the Saturday Evening Post.

It's a bird! It's a plane! It's a syndicated TV adaptation of the beloved DC Comics superhero! You know the drill: When he isn't fighting for truth, justice and the American way, the man in tights dons a suit and glasses for his secret identity as Daily Planet newspaper reporter Clark Kent, who works alongside friends Lois Lane and Jimmy Olsen for gruff boss Perry White.

This show started in New York City, with Broadway actors and actresses. It then moved to Hollywood, California, where Hollywood actors and actresses headed the cast.

The Real McCoys is an American situation comedy co-produced by Danny Thomas' "Marterto Productions", in association with Walter Brennan and Irving Pincus' "Westgate" company. The series aired for five seasons on the ABC-TV network from 1957 through 1962 and then for its final year on CBS from 1962 to 1963. The series, set in the San Fernando Valley of California, was filmed in Hollywood at Desilu studios.

The Real McCoys is an American situation comedy co-produced by Danny Thomas' "Marterto Productions", in association with Walter Brennan and Irving Pincus' "Westgate" company. The series aired for five seasons on the ABC-TV network from 1957 through 1962 and then for its final year on CBS from 1962 to 1963. The series, set in the San Fernando Valley of California, was filmed in Hollywood at Desilu studios.

The Real McCoys is an American situation comedy co-produced by Danny Thomas' "Marterto Productions", in association with Walter Brennan and Irving Pincus' "Westgate" company. The series aired for five seasons on the ABC-TV network from 1957 through 1962 and then for its final year on CBS from 1962 to 1963. The series, set in the San Fernando Valley of California, was filmed in Hollywood at Desilu studios.

Danny Thomas, an entertainer, tries to balance his home life with the needs of his career, with hilarious results.

Riley worked in an aircraft plant in California, but viewers usually saw him at home, cheerfully disrupting life with his malapropisms and ill timed intervention into minor problems.

The 20th Century Fox Hour is an American drama anthology series televised in the United States on CBS from 1955 to 1957. Some of the shows in this series were restored, remastered and shown on the Fox Movie Channel in 2002 under the title Hour of Stars. The season one episode Overnight Haul, starring Richard Conte and Lizabeth Scott, was released in Australia as a feature film.

Telephone Time is an American anthology drama series that aired on CBS in 1956, and on ABC from 1957 to 1958. The series features plays by John Nesbitt who hosted the first season. Frank C. Baxter hosted the 1957 and 1958 seasons. The program was directed by Arthur Hiller.

Mr. & Mrs. North is an American comedy/mystery television series that aired on CBS from October 3, 1952 to May 25, 1954. The series centers on Jerry North, a mystery magazine publisher who thinks he is a good amateur detective, and his wife, Pamela, as they solve crimes in New York City.

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Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

The Gale Storm Show is an American sitcom starring Gale Storm. The series premiered on September 29, 1956, and ran until 1960 for 143 half-hour black-and-white episodes, initially on CBS and in its last year on ABC. The Gale Storm Show was co-produced by Independent Television Corporation and Hal Roach Studios. The series was aired under the title Oh, Susanna in syndication.

Walt Disney Productions has produced an anthology television series under several different titles since 1954. The original version of the series premiered on ABC, Wednesday night, October 27, 1954. The show, which was hosted by Walt Disney until his death and then from 1996 to 2002 by then-CEO Michael Eisner (with one-off hosts or no hosts during other periods) has since aired continually as either a weekly program or an irregular series of specials on several networks and streaming services, most recently on ABC and Disney+. The show is the second longest showing prime-time program on American television, behind its rival, Hallmark Hall of Fame. However, Hallmark Hall of Fame was a weekly program only during its first five seasons, while Disney remained a weekly program for more than forty years.

Dan Adams, former Naval Intelligence officer, works in San Diego as a private detective.

Letter to Loretta is an American anthology drama series telecast on NBC from September 1953 to June 1961 for a total of 165 episodes. The filmed show was hosted by Loretta Young who also played the lead in various episodes. Letter to Loretta was sponsored by Procter & Gamble from 1953 through 1960. The final season's sponsor was Warner-Lambert's Listerine.

Letter to Loretta is an American anthology drama series telecast on NBC from September 1953 to June 1961 for a total of 165 episodes. The filmed show was hosted by Loretta Young who also played the lead in various episodes. Letter to Loretta was sponsored by Procter & Gamble from 1953 through 1960. The final season's sponsor was Warner-Lambert's Listerine.

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.