Emmanuelle Lepoutre

Antoine, a history teacher in his early 50s, learns that he has become very hard of hearing. Unable to own up to his handicap, he resigns himself to living in his bubble, even though his entourage finds his behavior increasingly odd. His encounter with Claire, widow and mother of a young girl who has stopped speaking, will lead him to open up to the world. 

In 1940, in France, Jean Chevalin lives with his family in great poverty after deserting the army. Convinced that some people manage better than others, he decides to pretend to be Jewish in order to receive help from smugglers and reach the free zone. This ruse will lead his family on a journey that will gradually dismantle his prejudices.

The Farels are a power couple: Jean is a prominent French pundit and his wife Claire an essayist known for her radical feminism. Together they have a model son, Alexandre, who is a student at a prestigious American university. During a brief visit to Paris, Alexandre meets Mila, the daughter of his mother’s new partner, and invites her to a party. The next day, Mila files a complaint against Alexandre for rape, destroying family harmony and setting in motion an inextricable media-judicial machine that posits opposing truths.

In the French Riviera in the summer of 1915, Jean Renoir, son of the Impressionist painter Pierre-Auguste, returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.

Tanguy is 28 years old and still living with his parents. They think it's time he moves out. He doesn't, so they hatch a plan.

Seaside takes place in a small coastal town on the Bay of Somme. The year-round inhabitants find ways to make their lives work; Paul, a lifeguard in the summer, works at the grocery all winter. His mother, Rose (Ogier) likes to play the slots just about anytime; his girlfriend Marie works in the local factory - the town's biggest business - but watching the summertime vacationers each year just makes her increasingly curious about what else might be out there. From these and several other stories, aided by close, revealing observations, we see a community perched between transition and stasis.

Isabelle Nanty is a Paris concierge, four children to look after and a fifth in gestation with a loutish and uncaring husband who runs off with the girlfried of one of the lodgers in her building. This same lodger called Le Bison has rather strange hours and both he and Dorine ( the concierge ) get on each other's nerves because each makes noise at the "wrong" time for the other ! The fact that their respective mates have run off together nevertheless bring the two together and with Dorine's children getting very attached to Le Bison, there are the makings of an "idylle" between the two of them which the return of the two offending mates fails to break

Pascal is a runaway teen who wants a new identity, a new family, a new life, but cannot really escape who he is. He's living his teens between his true soul and pretended self, acting like someone else when he does not even know who he is.

Edouard gives pieces of advice on a radio station, but when he tries to use them in real life with his friends, his skills are dubious.

What do you do if you are a reporter with a deadline and you are going blind? This French drama answers that question. Arnold is a crack television reporter assigned to cover an uprising in northern Sri Lanka. Recently he has suffered great headaches and his eyes have been tired. Before leaving he has a doctor check him and is appalled by the diagnosis that he is going blind. If he goes to Sri Lanka, the stress could hasten his loss of sight. If he does not go, he will lose the assignment to a rival reporter. Instead of going, he locks himself in his Paris apartment and creates the documentary from a combination of new and old video footage. He suffers through many emotional outbursts in the process. The highlight of his video is a scene in which he, using complex computer-work, "inserts" himself into Sri-Lankan street situation. Though the documentary is excellent, Arnold is crushed when his editor demands the scene be deleted from the film because it slows the film down.