Charles J. Hunt

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.

The "true story" of baseball great Babe Ruth; Ruth plays himself.

A silent film from 1927.

Jerry Judd, a young cop, is on the trail of a gang of stick-up men who rob jewelry stores. He falls in love with Patricia Barry, who it turns out is the sister of the gang's leader, Blackie. She loves Jerry, too, but is torn between her love for him and her loyalty to her brother, and is put to the test when Jerry gets closer to discovering where the gang's hideout is.

A press agent helps a honky tonk spot draw a new elite patronage but a troublemaker arrives on the scene as well and disrupts the romance between the male and female stars.

Safe-cracker Ned Dugan agrees to perform one last robbery, earning him enough money to move his younger brother, Jimmy, out of the city. At the behest of a crooked politician, Ned attempts to steal valuable papers from the home of Mary Callahan, who, coincidentally, is caring for the injured Jimmy. Mary catches Ned in the act, but she refrains from calling the police. Ned repays Mary by abandoning his life of crime, undermining the politician, getting her father out of jail, and saving her impressionable brother from a blackmailer.

A story about wild youth is framed in this early musical from Poverty Row company Rayart that includes such songs as “I Want You to Know I Love You”, performed by Ellalee Ruby and Tommy Christian and his band; “Somebody’s Sweetheart — Not Mine,” “Gypsy Love,” and the title tune. Christian plays Tommy, who reluctantly agrees to lead his band at a dance in a speakeasy where Lulu (Lucy Ames) may catch the attention of a Broadway producer. The club, however, is raided by the police and Tommy not only loses girlfriend Betty (Ruby) but finds himself expelled from college. Taking his band to Broadway, Tommy lands a spot in a high-class revue and is soon joined by a repentant Betty. The youngsters sneak away to get married while Jack Clark performs a furious tap dance.

A story about wild youth is framed in this early musical from Poverty Row company Rayart that includes such songs as “I Want You to Know I Love You”, performed by Ellalee Ruby and Tommy Christian and his band; “Somebody’s Sweetheart — Not Mine,” “Gypsy Love,” and the title tune. Christian plays Tommy, who reluctantly agrees to lead his band at a dance in a speakeasy where Lulu (Lucy Ames) may catch the attention of a Broadway producer. The club, however, is raided by the police and Tommy not only loses girlfriend Betty (Ruby) but finds himself expelled from college. Taking his band to Broadway, Tommy lands a spot in a high-class revue and is soon joined by a repentant Betty. The youngsters sneak away to get married while Jack Clark performs a furious tap dance.

An inveterate gambler is charged with killing a card sharp.

This musical tells the story of Campo wooing Damita from Keating with songs "So Divine," "Out of the Hills," "The Love Fiesta," "Oh Bella Mia."

The railroad is building a new line, but the workers are unhappy. That's because one of the board members, hoping to oust the man in charge of the project (Rapley), has a saboteur on site. Rapley's daughter, Rose, sneaks out to the project to become their telegraph operator and, with the help of the supervisor, "Sunrise" Smith, eventually discovers the plot and helps catch the bad guys amid several thrilling train chases.

A gangster falls in love with the daughter of a former colleague who has quit the rackets. However, things aren't exactly what they appear to be.

The Everlasting Conflict Between Law and Order and the Underworld.

A society couple lose their two-year old son in ship-fire and a fireman, finding the child, adopts him. The society couple adopt a baby girl. Both children grow up and meet in later years but the girl has an affair with a rich profligate. Meanwhile, the boy has become a fireman and through his instrumentality the girl is saved from death in fire. She gives up the rich youth and marries the firefighter.

A chorus girl falls for a young man pretending to be his boss, a millionaire. WHen his boss returns from a European trip and finds that the woman he loves is engaged to his secretary, complications ensue.

South of Panama is a 1928 American silent drama film directed by Charles J. Hunt and starring Carmelita Geraghty, Edward Raquello and Lewis Sargent

"New York City! Times Square! Broadway! The pulse, the heartbeat, the main artery of the theater throughout the world. To millions of young girls throughout America, it's more than a place. It's a symbol. A state of mind. A beckoning, coaxing Lorelei to the stage-struck everywhere. In endless numbers they flock like moths to the elusive candle of Broadway success, a dream that sometimes does come true..."