Charles Korvin

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

Robert Montgomery Presents is an American dramatic television series which was produced by NBC from January 30, 1950 until June 24, 1957. The live show had several sponsors during its seven-year run, and the title was altered to feature the sponsor, usually Lucky Strike cigarettes, for example, Robert Montgomery Presents Your Lucky Strike Theater, ....The Johnson's Wax Program, and so on.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

Diego de la Vega, the son of a wealthy landowner, returns from his studies in Spain and discovers that Los Angeles is under the command of Capitan Monastario, a cruel man who relishes in the misuse of his power for personal gain. Knowing that he cannot hope to single-handedly defeat Monastario and his troops, Diego resorts to subterfuge. He adopts the secret identity of Zorro, a sinister figure dressed in black, and rides to fight Monastario's injustice.

An anthology series adapted from the radio program of the same name. Like the radio program, many scripts were adaptations of literary classics by well-known authors. Classic authors such as Edgar Allan Poe, Agatha Christie, and Charles Dickens all had stories adapted for the series, while contemporary authors such as Roald Dahl and Gore Vidal also contributed.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

Robert Montgomery Presents is an American dramatic television series which was produced by NBC from January 30, 1950 until June 24, 1957. The live show had several sponsors during its seven-year run, and the title was altered to feature the sponsor, usually Lucky Strike cigarettes, for example, Robert Montgomery Presents Your Lucky Strike Theater, ....The Johnson's Wax Program, and so on.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

Diego de la Vega, the son of a wealthy landowner, returns from his studies in Spain and discovers that Los Angeles is under the command of Capitan Monastario, a cruel man who relishes in the misuse of his power for personal gain. Knowing that he cannot hope to single-handedly defeat Monastario and his troops, Diego resorts to subterfuge. He adopts the secret identity of Zorro, a sinister figure dressed in black, and rides to fight Monastario's injustice.

An anthology series adapted from the radio program of the same name. Like the radio program, many scripts were adaptations of literary classics by well-known authors. Classic authors such as Edgar Allan Poe, Agatha Christie, and Charles Dickens all had stories adapted for the series, while contemporary authors such as Roald Dahl and Gore Vidal also contributed.

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

An anthology series that explored the ways sudden and unexpected wealth changed life for better or for worse. It told the stories of people who were given one million dollars from a benefactor who insisted they never know him, with one exception.

The adventures of Interpol policemen Duval and Mornay as they fought against international drug-running, homicide, robbery and forgery.

A bus driver and his sewer worker friend struggle to strike it rich while their wives look on with weary patience. One of the most influential situation comedy television series in American history.

Berlin, Germany, 1935. The day Karl Weiss, a Jewish painter, and Inga Helms, a Christian woman, marry, is the one in which both of them and the entire Weiss family are caught up in the maelstrom of the Nazi regime, the storms of World War II and the horrors of the criminal Final Solution, the Holocaust, the Shoah; while Erik Dorf, an ambitious lawyer, undertakes his fall into hell at the hands of the sinister Reinhard Heydrich.

Letter to Loretta is an American anthology drama series telecast on NBC from September 1953 to June 1961 for a total of 165 episodes. The filmed show was hosted by Loretta Young who also played the lead in various episodes. Letter to Loretta was sponsored by Procter & Gamble from 1953 through 1960. The final season's sponsor was Warner-Lambert's Listerine.

The Chevrolet Tele-Theatre is an American anthology series that aired live on NBC Mondays at 8 pm EST from September 27, 1948 to June 26, 1950. Guests who appeared on the series included Faye Emerson, Edward Everett Horton, Basil Rathbone, Nina Foch, and Boris Karloff.

The first production from Frontier Films, the film production collective that was the successor to NYKino and the Workers Film and Photo League, Heart of Spain focuses on the Spanish Civil War, a conflict that became a touchstone of its era and was the most forceful opposition to the rising threat of fascism in Europe. Heart of Spain was begun by Geza Karpathi and Herbert Kline, who ultimately turned their footage over to Paul Strand, Leo Hurwitz, and Ben Maddow to make the film. It is compelling both for its shrewd formal aesthetics and as a sympathetic human document of the war.