Delphine de Vigan

Every day live on FRANCE 5, Anne-Élisabeth Lemoine and her team receive those who make the news. In the second part, the program welcomes, around a meal prepared by a qualified chef, artists in promotion.

Raised to believe in performance and in the idea that all abilities must be optimized, Emma is a young, methodical woman who appears determined and relatively sure of herself. But two consecutive failures (real or imagined) lead her to believe that she has a real problem: she is useless in bed. Because she is more fragile than she appears, Emma hence decides to become... the best lay in Paris! She then sets out on a formidable plan of action (theory, practical, validation of acquired knowledge), which soon provokes a series of misunderstandings and disasters within her immediate vicinity. For one thing, her method doesn't turn out to be really adapted to her field of investigation. And Emma has probably also forgotten a little detail: love doesn't obey any plan. In this absurd and nutty quest, Emma will learn to let go, to lose control, and, to finally win her freedom.

Liam and Ava live far from civilization with their young son, Aru. When Liam returns from a hunting trip to discover signs of a bear, and the lifeless body of his wife, he is left alone with his child. Convinced that the wild is no place for a boy, Liam embarks on a perilous horseback journey to find someone he can trust with Aru’s future. As father and son venture deeper into the wilderness, their journey becomes a meditation on grief, survival and the meaning of paternal instinct.

Archipelago of Mayotte, French overseas department, Indian Ocean. After being left alone in the world, Moïse, a boy feared by the supercilious locals because of his light eyes, joins a slum gang to survive.

Paul de Marseul, a prestigious wine-maker and owner of a renowned chateau and vineyard in Saint-Emilion, is disheartened by the notion of his son Martin taking over the family business. Martin does not seem to have inherited the qualities that Paul esteems in a wine-maker: persistence, creative insight and technical prowess matched with passion for the job and the product, and Paul frequently reminds him of this, whether explicitly or in subtle gestures. When Philippe, the son of his manager, appears at the vineyard, Paul leaps at the chance to name him as his successor, neglecting the wishes of his own son...

Hélène and Paul, early 30s and long-term singles, have been living in a two-person flat for years. Currently, graphic designer Paul wants to escape the digital constraints of his time and has acquired an age-old phone on which only "real" friends can reach him. One evening Paul gets from a friend at a party, his future predicted: Soon he will meet the love of his life, but also commit a murder. A short time later, when he meets the stunning Camille and falls in love with her, he begins to doubt with all luck. Could the prophecy really be true?

Every day live on FRANCE 5, Anne-Élisabeth Lemoine and her team receive those who make the news. In the second part, the program welcomes, around a meal prepared by a qualified chef, artists in promotion.

Raised to believe in performance and in the idea that all abilities must be optimized, Emma is a young, methodical woman who appears determined and relatively sure of herself. But two consecutive failures (real or imagined) lead her to believe that she has a real problem: she is useless in bed. Because she is more fragile than she appears, Emma hence decides to become... the best lay in Paris! She then sets out on a formidable plan of action (theory, practical, validation of acquired knowledge), which soon provokes a series of misunderstandings and disasters within her immediate vicinity. For one thing, her method doesn't turn out to be really adapted to her field of investigation. And Emma has probably also forgotten a little detail: love doesn't obey any plan. In this absurd and nutty quest, Emma will learn to let go, to lose control, and, to finally win her freedom.

Raised to believe in performance and in the idea that all abilities must be optimized, Emma is a young, methodical woman who appears determined and relatively sure of herself. But two consecutive failures (real or imagined) lead her to believe that she has a real problem: she is useless in bed. Because she is more fragile than she appears, Emma hence decides to become... the best lay in Paris! She then sets out on a formidable plan of action (theory, practical, validation of acquired knowledge), which soon provokes a series of misunderstandings and disasters within her immediate vicinity. For one thing, her method doesn't turn out to be really adapted to her field of investigation. And Emma has probably also forgotten a little detail: love doesn't obey any plan. In this absurd and nutty quest, Emma will learn to let go, to lose control, and, to finally win her freedom.

Liam and Ava live far from civilization with their young son, Aru. When Liam returns from a hunting trip to discover signs of a bear, and the lifeless body of his wife, he is left alone with his child. Convinced that the wild is no place for a boy, Liam embarks on a perilous horseback journey to find someone he can trust with Aru’s future. As father and son venture deeper into the wilderness, their journey becomes a meditation on grief, survival and the meaning of paternal instinct.

Archipelago of Mayotte, French overseas department, Indian Ocean. After being left alone in the world, Moïse, a boy feared by the supercilious locals because of his light eyes, joins a slum gang to survive.

Paul de Marseul, a prestigious wine-maker and owner of a renowned chateau and vineyard in Saint-Emilion, is disheartened by the notion of his son Martin taking over the family business. Martin does not seem to have inherited the qualities that Paul esteems in a wine-maker: persistence, creative insight and technical prowess matched with passion for the job and the product, and Paul frequently reminds him of this, whether explicitly or in subtle gestures. When Philippe, the son of his manager, appears at the vineyard, Paul leaps at the chance to name him as his successor, neglecting the wishes of his own son...

Hélène and Paul, early 30s and long-term singles, have been living in a two-person flat for years. Currently, graphic designer Paul wants to escape the digital constraints of his time and has acquired an age-old phone on which only "real" friends can reach him. One evening Paul gets from a friend at a party, his future predicted: Soon he will meet the love of his life, but also commit a murder. A short time later, when he meets the stunning Camille and falls in love with her, he begins to doubt with all luck. Could the prophecy really be true?