Itari Marta

A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.

A family is left adrift after the father's departure. Mother and children will have to grow and let go of their fears in order to survive.

Malboro and Cucu, the starring characters, are two brothers who split after the older one, Malboro, went to prison five years. One day he is set free, willing to return to his life. Cucu is the younger brother, who has become a boxer with possible success, if only the beater he keeps somewhere inside, didn't arise in the worst moments. The relationship between the two brothers is somehow ambiguous, there's something unclear that caused Malboro's arrest. To complete the triangle is Uncle Jesus who has been like a father to them; a retired boxer who's always thinking about his past. Sara is Malboro's great love, a woman full of shame and resented after almost leaving her whole life behind to follow Malboro, but he failed in their attempt to run away because that same night, he got arrested by Rojas. Rojas is Sara's husband, a police officer who hates Malboro and will do anything to get him out of his way...

Though around them a criminal world seethes, Julie and Antonio are a young and loving couple with a new baby and a solid, white-collar sense of stability. But when a loose social connection suddenly ties them to a major political assassination, the two become innocents desperately trying to adapt to a world of murderous politicians and police that, moment to moment, threatens their lives

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A story of love of money and power. A story of courage and bravery. It is the life of José Fierro, a man who faces the consequences of his acts when he decides to go all out; of his wife Ana Luisa, who wants to experience love and eroticism beyond what is permitted. A brave movie that reflects the best and the worst of humans, but is also a tragicomedy (as is life), full of humor, hope and self-sacrifice: the reflection of a country undergoing a permanent financial crisis, produced by the Tequila effect, but which has the virtue of not letting itself be defeated.

The theft of a car, the most commonplace of acts in Mexico City, sets off a chain of events that change the lives of our characters definitively, and turn on an ordinary day into a lucky day.

The Santa Marta Acatitla Prison Theatre Company performs "Richard III version 3.0" an adaptation of William Shakespeare's play from 1633. An amateur dramatics group has been turned into the first professional theatre company inside a Mexican prison. The prison is located south/west of Mexico City lodges about 3 000 prisoners, and has both male and female wards. The culture program started in 2010 and is supported by Foro Shakespeare, founded by Mexican actors Bruno Bichir and Itari Marta. The play "Richard III" has been updated to deal with current events, corruption and lack of future.