Known for
5.5Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.
Memories
2007
7.2While the young captains lead the revolution in the streets, the people of Fontainhas search for Ventura, lost in the woods.
Horse Money
2014
5.3Six directors, six independent films, six visions on the state of the world. Each carrying a unique and personal interpretation of a specific experience, their crossover creates new space for a dynamic and radical inquisitive reflection.
The State of the World
2007
NRPedro Costa's segment from "O Estado do Mundo".
Tarrafal
2007
6.1O Nosso Homem (Our Man) is a short variation in the line of the trilogy Pedro Costa has devoted to the habitants of the Fontainhas quarter, which has been destroyed in the meantime. It can be considered as a sort of appendix to the third part, Juventude en Marcha (Colossal Youth), in which the hero, Ventura, reappears as one of the four characters of this dialogue of hopelessness.
Our Man
2010
Film credits
2010s · 2 titles
7.2While the young captains lead the revolution in the streets, the people of Fontainhas search for Ventura, lost in the woods.
Horse Money
2014
6.1O Nosso Homem (Our Man) is a short variation in the line of the trilogy Pedro Costa has devoted to the habitants of the Fontainhas quarter, which has been destroyed in the meantime. It can be considered as a sort of appendix to the third part, Juventude en Marcha (Colossal Youth), in which the hero, Ventura, reappears as one of the four characters of this dialogue of hopelessness.
Our Man
2010
2000s · 3 titles
5.5Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.
Memories
2007
5.3Six directors, six independent films, six visions on the state of the world. Each carrying a unique and personal interpretation of a specific experience, their crossover creates new space for a dynamic and radical inquisitive reflection.
The State of the World
2007
NRPedro Costa's segment from "O Estado do Mundo".
Tarrafal
2007
