Gustavo Sumpta

A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.

While the young captains lead the revolution in the streets, the people of Fontainhas search for Ventura, lost in the woods.

No synopsis available yet.

One sleepless night, Emília recalls a childhood trauma. Amidst the burning memories, she visits her parents, her sister, Manuel and all the places of her solitude.

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

Young Jesus is taken on a vacation by his parents (Rita Blanco, Adriano Luz) to a deserted beach resort. They accidentally fall into overnight wealth after Jesus digs in the sand, uncovering a large drug stash. Others characters intersecting here include an alcoholic actress, a philandering banker, a general trafficking in arms, priests who close their church and head north as hitchhikers, politicians who watch an all-girl production of Julius Caesar, and beggars who recite a children's story in a huge heap of trash.

After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.

A pagan tradition in a village in the countryside of Portugal leaves painful traces in a group of young teenagers. 25 years later, when they meet again, the past resurfaces and tragedy sets in.

It's the dawn of April 25, 1974, when Marco, a 25-year old Italian and his Portuguese friend Victor leave Paris on a yellow Citroen 2CV. The goal of their trip is Lisbon, which on that night was freed from Europe's longest dictatorship. The two are joined by Claire, Victor's former girlfriend and University classmate, who wants to take a break from her everyday life, leaving behind her husband and baby son, to form again, even for a few days, the traveling trio with her friends.

In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where groups working for independence gradually claim their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.

Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

Short film that takes us to a very recent past, that is still the present in some regions of Portugal, talking about love and betrayal, rage and regret.

The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.

A writer immerses himself in his work La muerte del payaso and becomes a hostage of impossible dreams. Between crimes and hallucinations, between the gothic nature of night and the decadence of the sand, a hopeless story is told, based on the work of Raul Brandão.

Maria de Noronha, at 13 years old, suffers from high fevers and violent hemoptysis caused by a ruthless tuberculosis. To alleviate the pain, she gathers poppies from her garden and, at night, places them on her bed pillows. But the poppies have a devastating effect. Her deep sleep is invaded by ghosts and hallucinations: the luxury and decadence of the Portuguese 16th century. A broken nation, occupied by strangers.

An old gunman travels the Alentejo in search of revenge, accompanied by the mute daughter of one of his targets.

A touching and tragic real life story about a group of Portuguese fishermen who get caught in the middle of a storm in the Tejo river (Lisbon) and struggle to survive.

In this evocative story told ingeniously with minimal dialogue, men and women from various backgrounds and places each deal with the loss of a loved one.

It tells the story of Araci, a woman who saw her daughter murdered by ranchers. She emigrates to Mértola with her husband and their granddaughter, who will grow up without forgetting the indigenous rituals and teachings of Brazil.

Two men talk about a cat.

Certainly an outstanding case of beauty and mystery, this short film by Mozos creates a strange alloy of literature and cinema, and not in the way one discipline is a vampire for the other, but rather as if they were the different faces of the same coin, drawn to coexist and repel each other. As if every film belonged to a lonely species, Ashes and Embers shows a unique arrogance as it trembles, somewhat defenseless, with no certainty that the folds of fiction constitute any kind of survival guarantee for such strange objects. Memory and ghosts are two words that are easily said, but in this singular and very refined film they seem destined to become the ultimate goal of cinema, and its most endurable desire.

According to the perpetual lunar calendar: 'When sparks catch a pot of water, it signifies wind. When the hills echo loudly and the sea generates great noise, it signifies tempestuous winds and storms at sea. When dense fog forms at dawn, it signals two days' serenity.' Let’s wait and see.

They all say that you killed an Angel. Who says that ? They. It’s not an Angel. It isn’t ? No. It’s a rare bird, just like you and me.

Through an acting game, the director's parents become movie stars to talk about the cancer they both overcame and the fear of loss.

A man is standing at the window, holding a chair. There are wafts of street noise, and occasionally the curtain flutters. A dog is barking. Then, elegiac music sets in, a lavish string arrangement of Billie Holiday's The End of a Love Affair. With this one-shot film, Pedro Costa portrays the state of feeling of the afterwards of a love affair which led nowhere.