Angela Allen

The epic story of how the film The African Queen (1951), directed by John Huston and starring Humphrey Bogart and Katharine Hepburn, was shot on real African locations, barely overcoming all kinds of hardships and disasters.

Dr. Wilfred Manz performs a magical experiment on a beetle-shaped amulet. His patience exhausted, he smashes his fist into some bottles and a few drops of blood fall onto the scarab. His laboratory is rocked by an explosion, the god Khepera appears and Manz is transformed into a demi-god magician. Thirty years later, Manz has assumed the name Khepera and lives in mysterious castle. Using his magical powers, he is killing heads of government and causing the collapse of major financial institutions. Jack Murphy, an American correspondent, witnesses the pandemonium following the suicide of the Spanish prime minister and notices an attractive nurse, Elena, take a small scarab which has fallen from the prime minister's lapel. Later, he visits an occult shop where the scarab is identified as being associated with the Egyptian god, Khepera. Murphy is captured and Elena — who was tricked into sacrificing her brother when they were children — once more takes up the sacrificial dagger...

A featurette documentary that looks into the making of "The Dirty Dozen," containing interviews with the main cast, film scholars, and production personnel.

A behind-the-scenes and in-depth look at the making of John Huston's The Misfits (1961).

What do such classic films as The Third Man, The African Queen, The Misfits and Labyrinth have in common? Present during the filming of all of them was Angela Allen, acting as “continuity” – noting every shot and memorising all the details before her, working closely with the director, crew and actors to achieve a consistent and convincing world in front of the camera. She is one of the last witnesses to a truly golden age of cinema. Angela – who celebrated her 97th birthday in February 2026 – began her career as a 19-year-old on several British films, and then in 1948 was assigned to the second unit in Vienna for Carol Reed’s The Third Man. She subsequently became a regular aide to three great directors in particular, John Huston (with whom she made 14 films), John Frankenheimer and Franco Zeffirelli, as well as working with such diverse filmmakers as Tony Richardson, Ken Russell, Roman Polanski and Sidney Lumet.

Documentary about the production of The Third Man (1949).