Editing
Agnieszka Liggett
Lewisham, London, England, UK
Agnieszka Liggett is an editor known for 'Mr Bates vs. The Post Office', 'Funny Woman', 'Doctor Who', 'The Killing Kind', films 'Obey', 'Scarborough', 'Last train to Christmas', 'Crowhurst' and 'Howl'. Agnieszka also edited documentaries 'Death Without Mercy', 'Ukraine: Life under attack' and 'Jill Dando: The 20 Year Mystery'. She graduated with MA in Editing from the National Film and Television School in UK and before that she studied drama in National Polish Film, Theatre and TV School in Lodz. Many of the films Agnieszka edited screened at various festivals and gone to win numerous awards. Feature film 'Obey' won BAFTA Cymru Breakthrough Award, 'After tomorrow' was nominated for PALM D'OR and short animation 'Badgered' was nominated for an OSCAR. Agnieszka won BAFTA for her work on short documentaries about Cambridge Analytica and she was nominated for BEST EDITING in Underwire Festival for her work on film 'Gone'. She edits fiction as well as documentaries. Most people call her Aggi.
Acting credits
6.8In the Jewish tradition of arguing with God, Jewish prisoners in Auschwitz decide to put God on Trial.
God on Trial
2008
6.0Young couple Jackie and Leo move from North London to a suburban home in the green belt paradise of Southern England. At the birthday party of a neighbor, they soon discover the strict social hierarchies of village life.
The Dinner Party
2007
5.6Frank is a restless young man in his late twenties whose life revolves around his friends and his work. When he becomes involved with Ruby, her optimistic and fresh approach to life and its problems begins to have a dramatic effect on him.
The Low Down
2001
9.2When a middle-aged woman born in privilege opens a café in a vibrant party of her hometown of Copenhagen, she’s confronted with its dark sides as well in the shape of human trafficking and prostitution, and she has to make some hard choices.
Wonderful Copenhagen
2018
5.9A racist skinhead falls in love with a black woman.
Skin
1995
What happens when a female Polish capitalist meets two lazy Danish welfare recipients? On a job activation trip to Poland, Jens meets a Polish girl named Renata. One day, there is a knock on Jens' door in Copenhagen. Outside stands Renata with a large suitcase. She moves in, and the two begin a relationship. However, Renata quickly discovers that Jens does not do much other than fish, drink beer, and dream of his breakthrough—a safe and quiet life paid for by the state. But Renata has other plans.
You Can't Eat Fishing
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