
Camera
Neil Daza
Philippines
Neil Daza is a Filipino director, cinematographer, and photographer. He has lighted several notable films like Yamashita: The Tiger’s Treasure (2001), Dekada ’70 (2002), Feng Shui (2004), Emir (2010), and Bwaya (2014). His cinematographic work earned him a Gawad Urian award for Bwaya (2014) and two FAMAS awards for Blue Room (2022) and Ode to Nothing (2018). He was named one of the Ten Outstanding Young Men of the Philippines in 1992.
Acting credits
Behind the camera
NRA fragmentary tale of an 8-years old boy who feels the loss of his father as Martial Law is declared. Through images of macabre and violence we see the world of a child caught in war.
UNOS
1995
NRImahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.
Image Nation
2006
NRImahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.
Image Nation
2006
NRAn expressionistic story of a soldier’s lament as he lies on his hospital bed 50 years after the Second World War.
Agosto 9
1994
NRExperimental essay film.
Birth, Love and Farewell
1991

