Johanna Heer

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.