Margaret Tait

A documentary about the life and works of Margaret Tait.

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

A film interpretation of the poem 'The Leaden Echo and the Golden Echo' by Gerard Manley Hopkins. Margaret Tait speaks the poem throughout the film.

In Aurand’s signature diaristic form, roses in bloom, farm animals, Orkney landscapes, and scenes of the late filmmaker Margaret Tait having tea are rendered through expressive Bolex movements as well as the director’s active camera, and punctuated by abstract swaths of saturated and shifting colors. The film is an homage to Tait, whom Aurand visited in Orkney.

'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera" - MT

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

In 1990s Edinburgh, Barbara Thorburn reflects on memories of her poet mother, Greta, and her tragic death.

In 1990s Edinburgh, Barbara Thorburn reflects on memories of her poet mother, Greta, and her tragic death.

Margaret Tait's impression of the interior of her studio premises in Rose Street, Edinburgh. The film consists of slow pans around her studio focussing on the walls and artwork there - presumably as she is about to leave. There is also some footage of construction work on flats on Rose Street.

A film interpretation of the poem 'The Leaden Echo and the Golden Echo' by Gerard Manley Hopkins. Margaret Tait speaks the poem throughout the film.

"The film was conceived as a coda to a longer (colour) film, Place of Work, made in the same year. It covers the time of finally emptying a long-time family home, with its personal memories and connection with some of my own work. Fragments of verse, along with young children's voices released into the emptying rooms and staircases, and an ersatz 'pop' music track, clarify the familiar and the alien in the situation." Margaret Tait

"The film was conceived as a coda to a longer (colour) film, Place of Work, made in the same year. It covers the time of finally emptying a long-time family home, with its personal memories and connection with some of my own work. Fragments of verse, along with young children's voices released into the emptying rooms and staircases, and an ersatz 'pop' music track, clarify the familiar and the alien in the situation." Margaret Tait

"Starting with a six-line script which just noted down a kind of event to occur, and recur, my aim was to construct a film with its own logic, its own correspondences within itself, and its own echoes and rhymes and comparisons, all through close exploration of the everyday, the commonplace, in the city of Edinburgh." - MT

"Starting with a six-line script which just noted down a kind of event to occur, and recur, my aim was to construct a film with its own logic, its own correspondences within itself, and its own echoes and rhymes and comparisons, all through close exploration of the everyday, the commonplace, in the city of Edinburgh." - MT

"Touches on elemental images; air, water, (and snow), earth and fire (and smoke) all come into it." - MT

'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera" - MT

A set of three 'film poems' composed around the theme of the garden - the central one featuring hand scratched animated drawings. Margaret Tait described them as follows: 'Round the Garden' - right round and round again, 'Garden Fliers' - flighty cartoon and a stunner of a piano piece and 'Grove' - grave and sonorous.

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

The first in a series of films for the Rural Cinema Scheme in the Orkneys, it records the return to the island of Wyre of Neil Flaws, a farmer, and his family at a time when the drift from the northern isles of the Orkneys was of concern to some Orcadians.

"This is a landscape study of an Orkney croft, with the figure of the crofter, Mary Graham Sinclair, very much in the picture. The croft is West Aith, on the edge of a small loch, which almost every passing visitor stops to photograph or draw or paint. I have been filming this beautiful place since 1977, observing many of the human activities which alter and define how it looks." Margaret Tait

Every time the task of drawing a circle is performed, it results in a unique shape, a slightly different 'version' than the previous and next attempt. BEFORE WORDS is loosely based on Margaret Tait's unrealised script VIDEO POEMS FOR THE 90s. The video is an attempt at following a set of simple instructions, to observe through another artist's words and ideas in order to arrive at something personal.

Brightly coloured animated figures dance to the traditional tune 'John MacFadyen', as played by the Orkney Strathspey and Reel Society in this hand painted piece by Margaret Tait.

A portrait of poet Hugh MacDiarmid.

Unedited slates from a film called 'Survivor' filmed by Margaret Tait. Footage includes outdoor landscape and garden scenes, a fire burning in field and a man drinking tea in his study. [There appears to be no coherence to the footage] See also Additional Information file at 11/1/455. Paper Archives 4/5/119, 4/11/651, 4/5/92.

Poles, presumably to be used to carry electricity wires, are seen being carried over a wintry landscape by helicopter in Sandwick, Orkney.

Chinese Geese in Orkney.

General shots of Edinburgh City Centre taken by film-maker Margaret Tait, focussing on the Royal Mile, Holyrood House and Princes Street Gardens.

Young women in Milan, rooftops and children. One of the women is possibly Margaret Tait. [shotlisted from MiniDV] gvs Milan main square, bustling crowds. Shot of woman with dog (0.07) women sitting on bench chatting (0.27) dog running along rooftops, children playing along rooftops [overexposed] [Could Margaret Tait be in the picture - not sure?] (1.28)