Pablo Cumo

Nina Miranda leaves jail after spending 20 years imprisoned for a murder that she insists she did not commit and recalls the time of her youth.

Osvaldo, a football player on the rise, begins to be targeted by private interests who want to elevate him to the status of a sports star.

In a fort in the middle of the Pampa, their commander Hilario Castro decides to bring women from Buenos Aires to prevent deserting soldiers.

Espionage, intrigue, and passion surround the revolutionary invention of a secret weapon. A film that echoes with the world war, by German exiled filmmaker James Bauer.

In the late nineteenth century, the mule driver Juan Moreira is a good gaucho and worker who, like many others, is subjected to abuse and humiliation by the powerful, either the police or landowners.

The film tells the story of the payador José Betinotti, a mythical character in Argentine music. It faithfully reconstructs the scenarios of the early twentieth century: the workers' struggles, the party meetings of the caudillos and the circus criollo, the cradle of Argentine theater and music.

Tabloid journalists muddy the waters during the investigation of the murder of an Argentine senator.

A woman and a young man, mother and son, meet on a Carnival night, creating confusion for their respective spouses.

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.

In 1840, a caravan of carts headed from Buenos Aires to Córdoba carrying merchandise, ammunition and prisoners, against the background of the struggles between the Unitarians and the Federalists.

An Argentinian and a Brazilian fall in love and at the same time, their couples do the same thing between them.

El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.

Semi-documentary film in which a fictional plot is narrated linked to events that really occurred in the history of Argentine aviation between 1908 and 1938.

The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.

Salaryman leads a double life, staying out all night singing tangos in a pool room.

Backstage musical: showbiz couple fusses and breaks up, then resolve their problems just before the end.

A thief, after robbing a bank, meets by accident an aristocratic woman who asks for money to help an elderly asylum. They fall in love despite belonging to two different worlds.

The most famous lovers of world literature help a librarian to realize her love for a young man.

Several losers living together in a Buenos Aires boarding house try to make a living while dreaming of a big life-changing score.

An old timbal performer in a puppet theater has a secret past.

The life of conscripts who live in a barracks.

A professional thief rents a room in the house of a downtrodden lady to observe the bank he will assault.

Love will reveal the double life of a woman who is a scientist by day and a singer by night.

The misadventures of four young women who want to get married.