Marilina Ross

Documentary that tells how Father Mugica left his aristocratic origins to approach the most vulnerable people and stand out as a founding member of the Priests for the Third World group. He founded the Cristo Obrero chapel in the Retiro slum, now Barrio Mugica, where he developed his pastoral work.

The Cenacle, a unique restaurant offers single-table work. In a ruined temple every night there is a last supper. Diners sitting at the table, define something important in their lives. Four stories plus the secret that bond the owners. Superb music.

It describes the dilemma of a director in front of his characters and the search for a fetish actor who ends up being his great love. As if it were a documentary, the director remembers moments of his life and fragments of the filming of his film. That film tells the story of a poet who comes from the 19th century and contemplates the pain of the 20th century. There are tributes to her ancestors, especially her Piedmontese grandmother and her contemporary idols: actress Bárbara Mugica and Luchino Visconti.

Biography of Carlos Mugica (1930-1974), an Argentine priest linked to the Movement of Priests for the Third World and to the popular struggles of Argentina in the 1960s and 1970s. Most of his community work took place in Villa 31 de Retiro, which unofficially bears his name. Due to his "option for the poor," embodied in active social activism and his political independence, he received criticism from all sectors, death threats, and various attacks and assassination attempts. He was ultimately shot and killed, and the crime was attributed to the "Triple A" (Argentine Anti-Communist Alliance).

Pedro Liniers, a literature teacher, comes back to Madrid after his wife has just left him. Meanwhile, Aurora Villalba, came to Spain from Argentina, running away from the militaries, she has a special way of living her own way. Pedro wants to get back the job as a teacher through an old friend, Bruno Baena, who is the head master of the school. Aurora starts going to Pedro's classes. Pedro will become "El hombre de moda", very soon.

A once prominent family fight each other over the inheritance of a run down mansion. Motivated by individual greed, they turn on one another until they unite to subdue a stranger prone to violence. Outwardly the family retains respectability and their name is not sullied, but irreparable harm is done to the unit and mutual trust is shattered in the wake of the events that transpire.

Eugenia's parents die. She goes to live with Amalita, her close friend. Her grandmother Amalia Pradere a wealth landlady, takes the orphan under her protection. After a chain of events, disappearing her grandchild, Eugenia will take Amalita's place. She will inherit not only Amalia's possessions but also Ezequiel's love, Amalita's widower.

La Raulito travels to Madrid when she gets out of jail in Argentina to carve out a better future. Once in the Spanish capital, she participates in a documentary recounting his experience as a patient in a psychiatric hospital.

The disputes between two leaders, set in 1930s Cuidad de Buenos Aires.

A sexually dissatisfied woman is confronted with a man who is the victim of a puritanic education.

A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

A man has to come to terms with his wasted youth, estranged family and grim prospects for the future.

Cebrian, a blast furnace worker Asturian, being held at the Civil Guard barracks. There has to be accountable for the disasters in a day of party with two friends.

Dramatic portrait of men and women discouraged in the midst of the Spanish Civil War, after the odyssey of a group of Republican soldiers trying to reach the east coast to go into exile. Agustín must bear that his libertine father lives with the ironer Remedios, although she does not love him. She escapes and he goes to war; when they finally meet again, anxious amid bursts, it will be impossible to consummate their desires repressed for so long.

Ursula Alejandra Nicholson, the Carrot Queen, an extravagant American millionaire, arrives in Spain. J.J., a suave and ambitious executive, decides to become involved in the American carrot industry. To do so, he will take advantage of an unhappy bookseller, pulling him into a delirious misadventure that serves as a political satire.

The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.

An intelligent look at the absurdity of love, prostitution and money.

A group of youngsters, encouraged by their teacher, starts with guerrilla actions.

Ricardo is an executive who has great success with women and behaves almost like a play-boy. His wife Carmen, an attractive housewife without children, feels ignored by him and seeks solace from her mother, who proposes Carmen a change in the way she acts in order to not permanently lose her husband or fall into madness.

A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake.

Different stories that take place in a hotel for a temporary shelter for couples.

With the expansion of television in Argentina people changed their customs and schedules. This is the story of a family father who refuses to change his own, but who suffers after having acquired a television set.