Rein Raamat

Directing

Rein Raamat

Born

1931-03-20 (95)

Place of birth

Türi, Järva County, Estonia

Known for

Directing

Credits

30 titles

Rein Raamat (born March 20, 1931) is an Estonian animation film director, artist and screenwriter. He is the first internationally successful Estonian animator and along with Elbert Tuganov is regarded as the "Father of Estonian Animation". He has directed many short animated films since the early 1970s and also produced over 20 documentary films.

Known for

Film credits

Behind the camera

Tõll the Giant poster
6.8

An Estonian folk tale about Tõll, the giant hero who lived on the Baltic Sea island of Saaremaa.

Tõll the Giant

1980

Tõll the Giant poster
6.8

An Estonian folk tale about Tõll, the giant hero who lived on the Baltic Sea island of Saaremaa.

Tõll the Giant

1980

The Flight poster
6.0

A short Estonian animation about a man's desire to fly.

The Flight

1973

Colourbird poster
6.0

A bored future society starts to come alive with the addition of primary colors, as its world gradually becomes a groovy hippy paradise.

Colourbird

1974

Colourbird poster
6.0

A bored future society starts to come alive with the addition of primary colors, as its world gradually becomes a groovy hippy paradise.

Colourbird

1974

The Simpletons poster
4.9

The story of a bunch of peasants who have a hard time using logic to build their community.

The Simpletons

1974

The Simpletons poster
4.9

The story of a bunch of peasants who have a hard time using logic to build their community.

The Simpletons

1974

Veekandja poster
NR

A collection of three short stories: "Veekandja," "Armastab!," and "Tüütu muusik."

Veekandja

1972

Veekandja poster
NR

A collection of three short stories: "Veekandja," "Armastab!," and "Tüütu muusik."

Veekandja

1972

Hell poster
5.5

Rein Raamat’s Hell adapts the engravings of Estonian graphic artist Eduard Wiiralt into a surreal, grotesque, and heavily sexual animated short. Wiiralt’s three source works, “The Preacher,” “Cabaret,” and “Hell,” date back to the early 1930s and portray a cacophony of bacchanalia, hysteria, and violence in the final years of Estonian independence amid the unrest of the Great Depression and European instability.

Hell

1983

Hell poster
5.5

Rein Raamat’s Hell adapts the engravings of Estonian graphic artist Eduard Wiiralt into a surreal, grotesque, and heavily sexual animated short. Wiiralt’s three source works, “The Preacher,” “Cabaret,” and “Hell,” date back to the early 1930s and portray a cacophony of bacchanalia, hysteria, and violence in the final years of Estonian independence amid the unrest of the Great Depression and European instability.

Hell

1983

The Field poster
7.0

A black/white world, slow heavy labor, each frame crossfaded into the next.

The Field

1978

The Field poster
7.0

A black/white world, slow heavy labor, each frame crossfaded into the next.

The Field

1978

The City poster
6.0

A short animated film about horrors of urbanized city.

The City

1988

The City poster
6.0

A short animated film about horrors of urbanized city.

The City

1988

Bull poster
NR

The parable of a monstrously large bull that was raised by villagers, who did not know how dearly it would cost them.

Bull

1984

A Romper poster
7.0

When a young man literally crosses the line, he pays the price and is transformed into the little piggy wiggy he truly is.

A Romper

1975

A Romper poster
7.0

When a young man literally crosses the line, he pays the price and is transformed into the little piggy wiggy he truly is.

A Romper

1975

The Beggar poster
6.5

It is a parable about indifference

The Beggar

1985

The Beggar poster
6.5

It is a parable about indifference

The Beggar

1985

The Rifleman poster
6.2

A whale-hunter dodges icebergs while tracking his prey.

The Rifleman

1976

The Rifleman poster
6.2

A whale-hunter dodges icebergs while tracking his prey.

The Rifleman

1976

Shadow and the Road poster
NR

The film consists of two short stories. "Shadow" explores the struggle between good and evil within human character and emphasizes the need for an uncompromising stance against wrongdoing. "The Road" condemns those who embody a petty bourgeois mentality in society.

Shadow and the Road

1972

Shadow and the Road poster
NR

The film consists of two short stories. "Shadow" explores the struggle between good and evil within human character and emphasizes the need for an uncompromising stance against wrongdoing. "The Road" condemns those who embody a petty bourgeois mentality in society.

Shadow and the Road

1972

Tartu sõpruskond - kunsti saab igal ajal teha poster
NR

Documentary about the Tartu artist group centered around Ülo Sooster in the post-war decades. Valve Janov, Kaja Kärner, Silvia Jõgever, Lembit Saarts, Lüüdia Vallimäe-Mark and Heldur Viires were the first generation of artists who grew out of the Pallas spirituality, who missed out on the usual opportunity for self-improvement in Paris due to the outbreak of World War II. Instead, Saarts, Viires and Sooster spent the years 1949–1956 in Soviet prison camps. The story about a group of friends, made up of very different personalities, is outlined in long, calm monologues. The memory fragments of elderly artists form a complete story about the fate of an artistic generation.

Tartu sõpruskond - kunsti saab igal ajal teha

2000

Is It Still Greasy? poster
2.7

A satirical film based on the folk joke of the same name about greedy and hypocritical church servants and the gluttony of ridiculously selfish people. True to popular folklore, greed is eventually punished.

Is It Still Greasy?

1979

Is It Still Greasy? poster
2.7

A satirical film based on the folk joke of the same name about greedy and hypocritical church servants and the gluttony of ridiculously selfish people. True to popular folklore, greed is eventually punished.

Is It Still Greasy?

1979

Antennid jääs poster
6.0

It can sometimes seem as though all sorts of machines will be able to solve all problems. But this notion is wrong. Once a polar explorer once again began his research. He never imagined that the elements of nature could be so powerful that no machine would be able to stop them.

Antennid jääs

1977

Antennid jääs poster
6.0

It can sometimes seem as though all sorts of machines will be able to solve all problems. But this notion is wrong. Once a polar explorer once again began his research. He never imagined that the elements of nature could be so powerful that no machine would be able to stop them.

Antennid jääs

1977