Colette

Nicole Védrès' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.

The incredible life of novelist, screenwriter, actress and nude dancer Sidonie-Gabrielle Colette (1873-1954), who led her life to the beat, constantly reinventing herself through words, scandals and metamorphoses; a peasant woman who became an icon of the European Belle Époque; an artist who defied religion and social prejudices to live a hedonist existence worthy of her desires; a real woman who turned herself into a fictional character…

Women (many of them lesbian) artists, writers, photographers, designers, and adventurers settled in Paris between the wars. They embraced France, some developed an ex-pat culture, and most cherished a way of life quite different than the one left behind.

In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.

A country girl finds work as a chorus girl in Paris, gets embroiled with a bad egg, and then finds true love with a good-looking milkman.

Based on one of Colette's novels, a young woman cannot remember the dog that visits her in a dream.

In The Other Woman, Farou (Jean Rochetfort) is an author whose success is matched only by his lechery. During the rehearsal of his newest play, a scandal unfolds. Farou's wife Fanny (Anne Duperey) knows that during his "creative periods," Farou gets a particular itch that he can't resist scratching, but her own jealousy has finally reached the boiling point. It starts when Jane (Caroline Sihol), the deliciously sexy secretary that Farou has brought on as a live in assistant, falls in love with the artist.

The relationship between two newlyweds is undermined by the increasingly cumbersome presence of his cat, which will bring to light jealousies and misunderstandings. Drama about a couple in search of their own identity, inspired by a story by Colette already brought to the screen in 1952 by Roberto Rossellini in an episode of the Seven Deadly Sins.

First film adaptation of Collette's 1900 novel /Claudine à l'école/.

No synopsis available yet.