Kingsley Amis

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Since ancient times, the Green Man has been one of the most mysterious and menacing of mythical characters. He also has a familiar face as Robin Hood, Jack in the Green and on numerous pub signs. Across the arts from comic strips to classical opera, the Green Man is now making a comeback. Where is he taking us? Writer Sir Kingsley Amis, film director John Boorman, composer Sir Harrison Birtwistle and other leading artists offer their interpretations of the mystery in this Omnibus documentary film from 16th November, 1990.

While Holmes is away recuperating, Watson is left to help a damsel in distress.