Lothar Brandler

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

From Trento to Chamonix, via Zermatt; from the Morgiou cove to the Eiger's north face; from Planica to the Lavaredo peaks, the Alps are depicted, illustrated, and magnified in all their unique and sublime beauty, through the sports practiced there and the most typical customs and traditions of their inhabitants. A helicopter rescue and a parachute jump from the Red Wall by Wolfgang Weizenbocks are experiences not to be missed.

From Trento to Chamonix, via Zermatt; from the Morgiou cove to the Eiger's north face; from Planica to the Lavaredo peaks, the Alps are depicted, illustrated, and magnified in all their unique and sublime beauty, through the sports practiced there and the most typical customs and traditions of their inhabitants. A helicopter rescue and a parachute jump from the Red Wall by Wolfgang Weizenbocks are experiences not to be missed.

A young German climber and Gino Soldà, a well-known mountain guide from Recoaro, meet in Lavaredo to repeat one of the most difficult routes on the north face of Cima Ovest, known as the Direttissima by the Swiss and the Scoiattoli di Cortina. The film manages to document the entire difficult ascent.

Re-enactment of the attempt made in July 1961 by a french-italian group in order to climb Freney Pillar, in Mont Blanc massif. The expedition was composed by the frenchmen Pierre Mazaud, Robert Guillaume, Pierre Kohlmann and Antoine Vieille and by the italians Walter Bonatti, Andrea Oggioni e Roberto Gallieni. The groups arrived separatly to the camp of Col de la Fourche, but with the same aim. They united by chance to conquest the famous peak. The attempt is crushed by bad wheather and, during the descent, three French and an Italian will die.

Two young men use a trick to bring their lovers, whose employment as pin-up models they reject, back from vacation.

Two young men use a trick to bring their lovers, whose employment as pin-up models they reject, back from vacation.

Two young men use a trick to bring their lovers, whose employment as pin-up models they reject, back from vacation.

There’s excitement in a small mountain village in the Tyrol: The mountain climbers Margit Sollerer and Wolf Pretorius, who’ve already conquered so many difficult peaks, have arrived to climb the 'Pillar'. Especially difficult about the 'Pillar' is an extreme overhang, which even Hias Holleis’ sons Toni and Franz haven’t been able to climb. Since Hias wants to prevent his village becoming the laughing stock of Tyrol -which no doubt will be the case if the strangers are able to climb what the locals can’t- he dares both his sons to try the climb again.

There’s excitement in a small mountain village in the Tyrol: The mountain climbers Margit Sollerer and Wolf Pretorius, who’ve already conquered so many difficult peaks, have arrived to climb the 'Pillar'. Especially difficult about the 'Pillar' is an extreme overhang, which even Hias Holleis’ sons Toni and Franz haven’t been able to climb. Since Hias wants to prevent his village becoming the laughing stock of Tyrol -which no doubt will be the case if the strangers are able to climb what the locals can’t- he dares both his sons to try the climb again.

Three famous climbers, the Frenchman Pierre Mazeaud, the German Winfried Ender and the Italian Roberto Sorgato, meet up at the bottom of the Tre Cime di Lavaredo and decide to join together in a single roped party, climbing the 'Direttissima' on the north face of the Cima Grande di Lavaredo. The beautiful film illustrates with precise sequences the climb of the route, that was opened in 1958 by the filmmaker himself, Lother Brandler. The film wants to highlight the idea of frienship, cooperation, fraternity and peace showing three men from historically-confronted nationalities roped and working together as a single team. The film won the Grand Prix at the Trento Film Festival in 1964.

Three famous climbers, the Frenchman Pierre Mazeaud, the German Winfried Ender and the Italian Roberto Sorgato, meet up at the bottom of the Tre Cime di Lavaredo and decide to join together in a single roped party, climbing the 'Direttissima' on the north face of the Cima Grande di Lavaredo. The beautiful film illustrates with precise sequences the climb of the route, that was opened in 1958 by the filmmaker himself, Lother Brandler. The film wants to highlight the idea of frienship, cooperation, fraternity and peace showing three men from historically-confronted nationalities roped and working together as a single team. The film won the Grand Prix at the Trento Film Festival in 1964.

Three famous climbers, the Frenchman Pierre Mazeaud, the German Winfried Ender and the Italian Roberto Sorgato, meet up at the bottom of the Tre Cime di Lavaredo and decide to join together in a single roped party, climbing the 'Direttissima' on the north face of the Cima Grande di Lavaredo. The beautiful film illustrates with precise sequences the climb of the route, that was opened in 1958 by the filmmaker himself, Lother Brandler. The film wants to highlight the idea of frienship, cooperation, fraternity and peace showing three men from historically-confronted nationalities roped and working together as a single team. The film won the Grand Prix at the Trento Film Festival in 1964.