Directing
James Herbert
Born 1938-01-01 · Boston, Massachusetts, USA
James Herbert is an internationally known American painter and filmmaker. His work is known for its obsession with the nude figure in romantic and erotic figurations with an emphasis on the role of sexuality and scene context. Herbert was born in 1938 in Boston and grew up in Rhode Island. He began his informal art education as a teenager attending nude figure drawing classes at the Rhode Island School of Design. He earned his B.A. degree in art history from Dartmouth College in 1960 and his M.F.A. in painting in 1962 from the University of Colorado where he studied briefly with Clyfford Still and Stan Brakhage.
Acting credits
Behind the camera
NRNo synopsis available yet.
Hotel
1984
Short film from James Herbert
Waves & Particles
1993
7.0A cyclical film, without sound, that goes from day to night and back again. First, from the porch glider, daytime movement is seen--children running and bicycles and cars going by. The nighttime scene is a long poetic and dream-like look at adolescent lovemaking.
Porch Glider
1970
4.7Abandoned House is about a group of young people in Italy who exchange stories. The protagonist Maria listens to young men and women who report on sexual abuse and warped pleasure and she seems to feel the need to manipulate their vulnerability and rediscover her own lost love. Pictures of Tuscany and the sensual light within which the young naked figures in the film bathe serve to temper the darker aspects of the film with a tangible lyricism. In the end, the scars of abuse give way to the tenderness of the visual language itself.
Abandoned House
2007
4.7Abandoned House is about a group of young people in Italy who exchange stories. The protagonist Maria listens to young men and women who report on sexual abuse and warped pleasure and she seems to feel the need to manipulate their vulnerability and rediscover her own lost love. Pictures of Tuscany and the sensual light within which the young naked figures in the film bathe serve to temper the darker aspects of the film with a tangible lyricism. In the end, the scars of abuse give way to the tenderness of the visual language itself.
Abandoned House
2007
4.7Abandoned House is about a group of young people in Italy who exchange stories. The protagonist Maria listens to young men and women who report on sexual abuse and warped pleasure and she seems to feel the need to manipulate their vulnerability and rediscover her own lost love. Pictures of Tuscany and the sensual light within which the young naked figures in the film bathe serve to temper the darker aspects of the film with a tangible lyricism. In the end, the scars of abuse give way to the tenderness of the visual language itself.
Abandoned House
2007
No synopsis available yet.
Pluto
1970
NRExperimental short by James Herbert.
Three
1974
NRIn Silk [James Herbert] films a man and a woman, exploding the quality of silk out of the house into the back yard, where everything becomes a sheen of texture. It too has great sensuosity, but it’s like tearing silk, like being up against silk, your face wrapped in it as you watch the screen. (Stan Brakhage)
Silk
1977
No synopsis available yet.
Cloth
1975
NRNo synopsis available yet.
Soundings
1986
NRNo synopsis available yet.
Piano
1987
No synopsis available yet.
Solitaire
1980
An intoxicating chronicle of the romantic liaisons of a group of beautiful young men and women in their Mediterranean idyll. Living in a rundown rural Italian villa, there’s little for them to do but sit around and have sex with each other.
Rabbit Pix
2004
NRFilm from James Herbert
La Presenza
2002
No synopsis available yet.
Herodiade
1983
6.0No synopsis available yet.
Carnival
1983
NRJames Herbert's experimental homage to St. Francis of Assisi.
Cantico
1982
NRNo synopsis available yet.
Cameo
1982
No synopsis available yet.
Arc
1969
Film from James Herbert
A Peach, A Bird, A Fish
1996
No synopsis available yet.
Primigravida
1971
Short film from James Herbert
Kolja & Sana
1996
NRHerbert's silent films are noted for their study of texture and motion and for his use of nude imagery. "Night Horses" is his longest and his most sensual film to date.
Night Horses
1975
