Chen Yanyan

Based on the tragic true story of China's first prima donna of the silver screen, Ruan Lingyu, chronicling her rise to fame as a movie actress in Shanghai during the 1930s.

Care home resident, the blunt Mr. Tao secretly admires fellow resident, the elegant Ms. Pai. He finally plucks up the courage to write her a love letter, but it gets mischievously posted on the home’s bulletin board. Two other residents: Mr. Peng and Mr. Wang call each other “son” as a pet name. Mr. Peng misses his grandson whom he dares not see, while Mr. Wang frets over his terminal illness.

The Yang family, men and women, have served their country loyally for generations. During the war General Yang is ambushed and killed. His widow and the entire family set out to avenge his death and defend the country.

One man takes on a cartel headed by three brothers, who are responsible for the savage beating of his mother and the murder of his brother.

Intrigue in the court means that the wife and daughter of framed scholar Sung have to travel to the capital in disguise, as court agents hunt them down. A righteous swordsman and a group of kiln workers get caught up in the action.

After a career spanning more than forty years and dozens of films as director or writer, Yueh Feng used everything he learned on a final few martial arts epics, of which this is one of the most memorable. It's not easy to forget a hunchbacked, one-armed protagonist, nor the "Poisonous Dragon Sword" style, nor the luminous and lethal Shih Szu as the title swordswoman, who is out to avenge her father's death at the mid-autumn festival.

A spoilt rich kid turns up at a fu school to show off, but he gets clobbered by the boastful Little Tiger, who is later framed for the kid's murder when a gang of blackmailers make an example of him. The police allow Tiger to escape, in order to find the real culprits. Tiger hides at his girlfriend's place, but a model she works with does some whoring on the side for the blackmailer, and so the crooks are onto his trail...

Plotting to obtain the Yen family's land, dastardly Japanese plutocrat Omura bribes Yen nephew Hsu Chien to steal the family seal and land deed. When Hsu Chien is caught in the act, he viciously beats elderly Master Yen to death to cover his actions. Determined to avenge the wrongs committed on his family and his country, young master Yen Tzu Fei blazes a knife-throwing path of revenge that leads him to his love Yue Hua's father, who has corrupt connections with the Japanese

Under false pretenses, Zhenzhen marries Mr. Lin, who happens to be her teacher. She wants to still study and wants to enroll in his school in Hong Kong. The head of the school agrees to this under the condition that they conceal the fact that they are married. Zhenzhen finds out right away that her husband is fawned over by the girls, they all have a crush on him, as also does the spinster librarian. However, Mr. Lin finds that that the boys in the school (they are late teens, 17 or so) really like Zhenzhen. This leads to hurt feelings, questions about fidelity and even, in Zhenzhen's case, innocuous dates with one of the boys who rides a motorcycle.

Lily Ho and Ling Yun are star-crossed lovers who suffer untold agonies before finally being united forever.

After seemingly being rejected by the man she loves, Hua Pi-Lien attacks him and his family. But their entangles the nefarious bully Huang, a corrupt official, and two honorable martial arts masters.

When a once infamous criminal decides to give up his lifestyle and return the many treasures he has stolen to their rightful owners; he is promptly murdered by his partners in crime. To avenge his death is his son, with the deadly "mantis fist".

A noble swordsman, whose arm had been chopped off, returns to his former teacher to defend him from a villainous gang of rival swordsmen.

In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.

About a woman who disguises herself as a man to take her father's place in the army.

A Shaw Brothers production

It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.

Ling Bo is Lin, a young man engaged to the daughter of a rich man, who now despises Lin because of his family's declining status. Lin visits his beloved fiancee before he heads towards the imperial city to participate in the civil service examination, only to find her maid lying dead in blood. Lin is then accused of murder. How can Judge Bao prove his innocence?

With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.

With her elegant classic persona, Li Li-hua was the ideal performer for period aristocratic and imperial roles. The Goddess Of Mercy is a good example of her strong empathy and noble presence. The youngest daughter of a brutal king, the princess openly disapproves of the floggings and cruel treatment her royal family heaps on the peasants. As a result, the heartless king turns on his own daughter forcing her into exile.

No synopsis available yet.

The Goddess of Hua Mountain is imprisoned for falling in love with a mortal, meanwhile her son is raised in secret until he can attempt to free her.

The film tells the story of Xing Yonghui, a rich girl who has fun with her painter boyfriend Du Shaohua and her classmates. Chen Xiaoping and Guo Dawei fall in love and want to elope, but they are prevented from doing so; Du Shaohua and Li Zhongting fall in love with each other over a painting, causing Xing Yonghui's unhappiness, and Xing Yonghui crashes a car into a rock and wants to die together, causing serious injuries to Du Shaohua and Li Zhongting; Xing Yonghui's suicide is prevented by her shame, but Li Zhongting does not care about the past suspicion, and the two of them recover from the injuries and perform with their classmates on the same day as they had planned to do so.

Su Fen, a young and frail girl, looked forward to her wedding with her fiancé, Li Kuo-liang. The happy couple's bliss was cut short when war broke out. Kuo-liang was summoned to fight at the front lines. In his absence, Su Fen discovered she had tuberculosis.

The story revolves around Tian Yu Quan (Chin Feng) who rushes to the aid of an elderly fisherman who is bullied by an arrogant relative of the Qiu Shan ministry. In the heat of the ensuing battle he kills the said man and is hence chased by the district's officials. Trying to use the waterway to shake off his enemies, Yu Quan finds a true friend in the old fisherman's bark-stearing daughter, Hu Feng Lian (Ting Hung) who becomes his loyal accomplice. As symbol for his gratitude, Yu Quan bestows Feng Lian with a Butterfly Chalice to reflect their eternal friendship bond...

Fan Chia-soo is a kind-hearted student whose heart is captured by the sweet song of Shen Feng-hsien. However, he is not the only one who has eyes for Shen. The General's henchmen are also determined to present the songstress to their superior as a gift. Fan received help from an unexpected quarter to save the woman he loves.

The year is 1937, just prior to the Japanese invasion of China. Painters Ju Rui and Lao San stumble upon He Hua, a woman sold into the sex industry at a local brothel.

Based on one particular storyline from The Water Margin, Three Sinners weaves an intriguing story of romance, treachery, and death, all within the context of the traditional Huangmei Opera. Yan Jun casts his real-life wife, the elegant Li Li Hua, star of such Shaw Brothers films as The Goddess of Mercy and Vermillion Door, as one of the title characters, a woman who finds herself in the middle of a stormy love triangle involving her controlling husband (director Yan Jun serving double duty in a starring role) and a passionate lover (Chen Yan Yan).

The contemporary issue of single mothers is sensitively handled in this melodrama as a young woman must decide whether she will tell the new man in her life the real truth or forever remain the child's auntie Lan? (Celestial Pictures sypnosis)

A scholar woos the daughter of an important family, while outwitting rebels who try to capture her.

Melodramatic film about a child prodigy.

War and time change everything. Their love becomes more than reunion, it becomes a reckoning with what was and what could've been. Part two of the wartime love story.

Lee Ho Yin is a young musician turned advertising executive who is shy and tongue-tied when it comes to women. One day, Lee meets lovely Yiu Kit Ying on a bus. Lee's light-hearted attitude to live leads to a serious of humorous incidents.

In the mid-sixties Chang Cheh changed the face of female dominated films with his male dominated, violent kung-fu films. Dead End was the start of a new force that lasted 6 years, the first film to star David Chiang and Ti Lung under director Chang's discerning eye. The trouble all begins when Chen Hung-lieh's character disapproves of Ti Lung's character courting his sister.

Spring Blossoms is a parable about the Chinese youth culture and what's important to the younger generation when it comes to romance. It starred a new wave of seventies, Shaw's beauties, Lily Li, Shu Pei-pei and Essie Lin-chia as single women looking for love. It's a triple-decker romantic bus ride on a road to nowhere speeding toward a low bridge.

The film tells the story of Tang Bohu, a famous scholar who spends most of his time wandering around the countryside.

Chi Yuan and Tang Ke-hsin find an unexpected spark during a Christmas gathering, creating ripples of jealousy and heartache within the tightly knit circle of siblings Tu Chia-wen and Chia-ling. A hunting accident sends their lives into emotional freefall, separating lovers, straining family bonds, and pushing each character toward choices that echo for years to come. What begins as a tender love triangle spirals into a multigenerational saga of longing, regret, and redemption, culminating in both reunion and irreversible loss.

A widow of four gave up two of her children to be raised by an uncle in Singapore. Many years later, just when the widow, now a house maid, is feeling contented by good news of her long gone son and daughter, she accidentally runs into his own son, now a lawyer, and ends up being looked down upon by him. It was a story about how traditional Chinese family and its value was impacted by the change of time. The movie depicted Macau in 1945 to Hong Kong in the mid-60s, moving from poverty after WWII to opulence. The human relationships became complicated and fragile. Many elements uniquely "Hong Kong", such as upper class Chinese, western religions, English speaking and a mixed-culture society are used to contrast the traditional, kind, enduring and forgiving love of a mother.

Hong Kong adaptation of Louisa May Alcott's Little Women. Macau hospital matron Mrs. Lo has four daughters. The peaceful existence of this family is suddenly shattered when a cable arrives from Borneo urging Mrs. Lo to join her ailing husband there immediately.

The film focuses on a mother (Chen Yanyan) burdened by guilt after abandoning her newborn daughter in a long lane 17 years earlier, so that she could adopt a son to fulfil the traditional belief that only a male heir could continue the family line. However, when her adopted son (King Hu) becomes a disappointment, the mother’s regret deepens. On her deathbed, she confesses her secret to her husband (Wang Yin), who resolves to find their lost daughter.

No synopsis available yet.

No synopsis available yet.

Yu Jiayin falls in love with the father of the girl she tutors.

A war-veteran husband and his wife are slowly consumed with distrust in Xu Changlin’s fascinating hybrid of noir thriller and melodrama.

No synopsis available yet.

A Chinese couple in the 1930s struggle to survive. Things get complicated for them when he enlists to fight the war against Japan.

Bai Le De and Hu Lun tung are military cadets. After graduating, Hu Lin Tung is appointed captain of Guangdong headquarters and goes away. Later, Bae Le De is also appointed to a post at the same place. Hu Lun Ting falls in love with Luo Hua, daughter of the local commander.

The film tells the story of Yang Naifan (Ruan Lingyu) who runs from her arranged marriage to be with her true love, Li Zuyi (Jin Yan). The film details the poverty she must endure for breaking with tradition.

No synopsis available yet.

A Chinese film

No synopsis available yet.

A rich businessman's family is in straitened circumstances. He has a son and four daughters, but only the youngest daughter lives a positive life.

This film depicting the lives of ordinary people — street peddlers, poor scholars, and young revolutionaries — reflects the culturally progressive political climate of that pre-War, post-May the 4th era.

Six young men from the city take jobs building roads for the Chinese Army

No synopsis available yet.

A businessman moves his family from the city to the countryside to open a school.

To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.

Seventeen-year-old Xu Mengjiao hears troubling rumors at his private school about his mother’s mysterious identity. Seeking the truth, he returns home to question his family, but finds no clear answers. Guided only by hints and the words of a loyal servant, he is drawn to the foot of Leifeng Tower during a thunderstorm, where his cries awaken attention from the nearby temple. An abbot tells him that to uncover what he seeks, he must achieve fame. Determined, Mengjiao commits himself to study and, years later, returns to Leifeng Tower where a fateful encounter awaits.

Although Hui-Ying is now married to a husband that offers a life of stability and comfort, over ten years ago her first husband (Jia-Hu) fled from Shanghai to Nanyang (old name for Southeast Asia) to escape capture by a warlord - leaving her and their toddler daughter (Shao-Mei) behind in helpless desperation. Despite the mother's emotional attachment to her absent husband, she has never told the daughter about Jia-Hu so the daughter believes the stepfather is her biological father. But the mother begins to have second thoughts about the stepfather when she sees the teen daughter zealously follow the path paved by him - a path that the mother fears will lead to her daughter's moral decline.

No synopsis available yet.