Emmanuel Finkiel

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.

Esther Gorintin became a star at 85, having survived the harrowing 20th century, from her native Poland to the Rue de Rivoli in Paris. Between Cannes to the local fast food joint, with a taste for Ted Lapidus designs and a thing about plastic bags, Estherka is the heroine of this comic documentary, the portrait of a woman in the twilight of her life and at the dawn of her career As well as recording the incredible career of this 85 year-old débutant, I wanted to tell the story of her entire life. I had started filming Esther Gorintin before she started acting: her journey through the past century, her memories, her storytelling style, her unique relationship with the world around her, and her very special relationship with her son Armand. Here are the reasons why I followed her for more than ten years.

Through the course of several accidents and chance encounters, Hanoch and Ruben will meet and each of them will have to face a page of his personal history, a page that they both need to turn for good.

A teenager searches for meaningful connections with others while trying to build a steady relationship with her transsexual father and a stepdad who posts everything about their family online.

Josephine, married and mother of two children, is gradually moving away from her husband Antoine. She rediscovers physical pleasure in the arms of a lover.

5 short films on the theme of European identity.

In the darkest days of the Second World War, Yulia and Hugo, a Jewish mother and son, escape from a Ukrainian ghetto. Fearing for his safety, Yulia entrusts her boy to the care of her friend Mariana, a sex worker who lives in a brothel. Hugo is placed in a closet, nominally for his safety, but from which he rarely leaves. With little view of the outside world, he conjures up ghosts and scenarios. But over time, Mariana brings the boy out and in doing so transforms his life.

In the darkest days of the Second World War, Yulia and Hugo, a Jewish mother and son, escape from a Ukrainian ghetto. Fearing for his safety, Yulia entrusts her boy to the care of her friend Mariana, a sex worker who lives in a brothel. Hugo is placed in a closet, nominally for his safety, but from which he rarely leaves. With little view of the outside world, he conjures up ghosts and scenarios. But over time, Mariana brings the boy out and in doing so transforms his life.

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

In the first of the three linked episodes of French writer-director Emmanuel Finkiel’s delicate, poignant Voyages, a bus tour of Poland, by present-day French survivors of the Holocaust, suffers a mishap: en route to Auschwitz from a Jewish cemetery, the bus breaks down. In the second episode, one of them confronts the possibility that her father, long presumed to be among the Six Million, in fact survived; but is he her father?

In the first of the three linked episodes of French writer-director Emmanuel Finkiel’s delicate, poignant Voyages, a bus tour of Poland, by present-day French survivors of the Holocaust, suffers a mishap: en route to Auschwitz from a Jewish cemetery, the bus breaks down. In the second episode, one of them confronts the possibility that her father, long presumed to be among the Six Million, in fact survived; but is he her father?

A César Award winning short film about an elderly Jewish couple playing cards in Cannes who find love at an unexpected age.

A César Award winning short film about an elderly Jewish couple playing cards in Cannes who find love at an unexpected age.

No synopsis available yet.

No synopsis available yet.

Eddie is no longer living with his wife and their son Noam. One night, he gets mugged and badly injured, and consequently becomes a hero to his son and the victim of a vicious crime to his wife. But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.

Eddie is no longer living with his wife and their son Noam. One night, he gets mugged and badly injured, and consequently becomes a hero to his son and the victim of a vicious crime to his wife. But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.

Two young people meet at a nightclub. At home, as they prepare to make love, the young girl is seized with discomfort...

Two young people meet at a nightclub. At home, as they prepare to make love, the young girl is seized with discomfort...

A group of Kurdish refugees tries to get to Great Britain. A female student travels through Europa. A young executive relocates a factory to Hungary.

A group of Kurdish refugees tries to get to Great Britain. A female student travels through Europa. A young executive relocates a factory to Hungary.

They have been sports people, lovers, leaders, parents, children. And then one day, an accident at work, an accident of life, a stroke. For several months, Emmanuel Finkiel filmed the daily efforts of three patients, their families, and the nursing staff in a therapy centre. A moving and sensitive block calendar recording the evolution of these men and women on a path that will lead them to recover their awareness and their identity.