Suzanne Osten

The Guldbagge Awards is an official and annual Swedish film awards ceremony honoring achievements in the Swedish film industry. Winners are awarded a statuette depicting a rose chafer, better known by the name Guldbaggen. The awards, first presented in 1964 at the Grand Hôtel in Stockholm, are overseen by the Swedish Film Institute. It is described as the Swedish equivalent of the Academy Awards. The awards ceremony was first televised in 1981.

No synopsis available yet.

A Swedish version of the British genealogy documentary series Who Do You Think You Are?, where famous people are searching for truths and hidden stories about their family history.

No synopsis available yet.

The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.

Queen Silvia is an icon; Crown Princess Victoria is a superstar. Mother and daughter bring glamour and good news. Constant public scrutiny and a life dictated by others are the price they pay. Would the Swedish monarchy even have a future without them? This film by royal expert Julia Melchior examines the role of strong women in one of Europe’s most popular royal families. Royals have no power, but they do have influence. Strictly speaking, Queen Silvia, as the wife of the reigning king, is merely the “queen consort.” There is no official job description for First Ladies; representing the monarchy is generally expected. Queen Silvia, however, has filled her role with a mission. She breaks taboos to give a voice to the most vulnerable members of society. With diplomatic skill, she defuses many a precarious situation. And with courage and poise, she also overcomes challenges within her own family.

The Guldbagge Awards is an official and annual Swedish film awards ceremony honoring achievements in the Swedish film industry. Winners are awarded a statuette depicting a rose chafer, better known by the name Guldbaggen. The awards, first presented in 1964 at the Grand Hôtel in Stockholm, are overseen by the Swedish Film Institute. It is described as the Swedish equivalent of the Academy Awards. The awards ceremony was first televised in 1981.

No synopsis available yet.

A Swedish version of the British genealogy documentary series Who Do You Think You Are?, where famous people are searching for truths and hidden stories about their family history.

No synopsis available yet.

No synopsis available yet.

Psychological drama about the meeting between a neo-nazi and a Jewish doctor.

In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.

In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.

Song and dance mixed with sketches and stand up.

An unspecified European country ca 1912 in the throws of political upheaval. A man only dressed in black (Jacob, played by Philip Zandén) is hired to assassinate the Interior Minister Joel Birkman (Etienne Glaser) after a particular brutal strike down of a student protest. He takes up work as the minister's bodyguard at his summer residence, and get's entangled in the affairs and politics of the Birkman family.

An unspecified European country ca 1912 in the throws of political upheaval. A man only dressed in black (Jacob, played by Philip Zandén) is hired to assassinate the Interior Minister Joel Birkman (Etienne Glaser) after a particular brutal strike down of a student protest. He takes up work as the minister's bodyguard at his summer residence, and get's entangled in the affairs and politics of the Birkman family.

12 year old Carmen has to stay home during the summer while most other people are on holiday. She plays with younger children Anders and Kerstin. 20 year old Bengt-Olof is a little bit challenged and has no other friends of his own age. Therefore, he frightens and mobs the children in the neighbourhood who, at first try to flee him, but then begin planning their revenge...

12 year old Carmen has to stay home during the summer while most other people are on holiday. She plays with younger children Anders and Kerstin. 20 year old Bengt-Olof is a little bit challenged and has no other friends of his own age. Therefore, he frightens and mobs the children in the neighbourhood who, at first try to flee him, but then begin planning their revenge...

A gala performance at Cirkus in Stockholm ahead of the International Women's Day on March 8, 1981.

Flore is a passionate politician. She is in love but under constant stress, dealing with issues on being black in a more and more aggressive society – Sweden in the early nineties. Soon it will be too much for her.

Flore is a passionate politician. She is in love but under constant stress, dealing with issues on being black in a more and more aggressive society – Sweden in the early nineties. Soon it will be too much for her.

"Dificult People" - About the production process when Suzanne Osten directs the theater play ”Difficult people”, written by Nils Gredeby. It is a play about people who fail in their professional careers by ”being difficult”. It all starts with the author attending a course about how to spot the difficult people and how to fire people who sabotage or create problems at the working place. In the process the ensemble has to face questions about how we view our fellow human beings and who is considered expendable.

About the young film critic Gerd, who dream of interviewing actors like Jean Gabin and Jean-Louis Barrault and to one day direct a movie.

About the young film critic Gerd, who dream of interviewing actors like Jean Gabin and Jean-Louis Barrault and to one day direct a movie.

The real horror is worse than - than a horror film, worse than - than the worst horror film. A story about some who are producing horror and special effects.

The real horror is worse than - than a horror film, worse than - than the worst horror film. A story about some who are producing horror and special effects.

In a sanatorium for people in their 60's Walter meets Virginia and falls in love. His boyish invites only upset her. In another attempt to capture her interest he directs "Romeo and Juliet" starring the residents of the sanatorium.

In a sanatorium for people in their 60's Walter meets Virginia and falls in love. His boyish invites only upset her. In another attempt to capture her interest he directs "Romeo and Juliet" starring the residents of the sanatorium.

This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...

This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...