
Directing
Véréna Paravel
Born
1971-04-21 (55)
Place of birth
Neuchâtel, Switzerland
Known for
Directing
Credits
26 titles
Véréna Paravel (born 21 April 1971; Neuchâtel) is a French anthropologist and artist who works in film, video, and photography. Paravel was born in Neuchâtel, Switzerland, to French parents, and grew up in Algeria, Portugal, Togo, Côte d'Ivoire, the Soviet Union, and France. She taught at the Université de Toulouse, and received her PhD in Anthropology and Communication Sciences from the Université de Toulouse II. She later worked with Bruno Latour at the École Nationale Supérieure des Mines de Paris. In 2004, she moved to the United States, where she had a postdoctoral fellowship at Columbia University. Since 2006, Verena Paravel has worked with Lucien Castaing-Taylor at the Sensory Ethno…
Known for
6.7Rachel loves her life, her students, her friends, her ex, her guitar lessons. When she falls in love with Ali, she grows close to his 4-year-old daughter, Leila. She tucks her in, looks after her, and loves her like a mother... which she isn’t. Not yet. Rachel is 40. The desire for a family of her own is growing stronger, and the clock is ticking. Is it too late?
Other People's Children
2022
6.5An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
Leviathan
2013
5.5Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.
Caniba
2017
7.2An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.
De Humani Corporis Fabrica
2023
5.0A short companion to Leviathan, set inside the fishing vessel.
Still Life
2013
7.6Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
Somniloquies
2017
Film credits
Behind the camera
6.5An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
Leviathan
2013
6.5An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
Leviathan
2013
6.5An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
Leviathan
2013
5.5Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.
Caniba
2017
5.5Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.
Caniba
2017
7.2An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.
De Humani Corporis Fabrica
2023
7.2An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.
De Humani Corporis Fabrica
2023
7.2An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.
De Humani Corporis Fabrica
2023
5.0A short companion to Leviathan, set inside the fishing vessel.
Still Life
2013
7.6Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
Somniloquies
2017
7.6Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
Somniloquies
2017
NRAn apocalyptic vision of the vertiginous intermingling of the sea and the sky.
Last Judgement
2013
5.9A portrayal of a hidden enclave of auto shops and junkyards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants – where wrecks, refuse, and recycling form a thriving commerce – as it struggles for daily survival and contests New York City's development scheme.
Foreign Parts
2010
5.9A portrayal of a hidden enclave of auto shops and junkyards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants – where wrecks, refuse, and recycling form a thriving commerce – as it struggles for daily survival and contests New York City's development scheme.
Foreign Parts
2010
NR“Ah humanity! reflects on the fragility and folly of humanity in the age of the Anthropocene. Taking the 3/11/11 disaster of Fukushima as its point of departure, it evokes an apocalyptic vision of modernity, and our predilection for historical amnesia and futuristic flights of fancy. Shot on a telephone through a handheld telescope, at once close to and far from its subject, the audio composition combines excerpts from Japanese genbaku film soundtracks, audio recordings from scientific seismic laboratories, and location sound.”—Ernst Karel, Verena Paravel & Lucien Castaing-Taylor
Ah Humanity!
2015
7.5A documentary about a group of pilgrims who travel to Nepal to worship at the legendary Manakamana temple.
Manakamana
2013
No synopsis available yet.
8mm, archives des Sagawa, montées
2025
1.0Maya is a photographer. She takes photos related to the eyeball. Kunio is a neurosurgeon and an independent documentary film director. He is interested on making a documentary about Maya. A mysterious eyeball collector watches for Maya's own eyeballs.
The Eye's Dream
2016
NRA two-channel installation utilizing both digital video and 16mm film, Commensal focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona.
Commensal
2017
NRSubmarine spirits of monsters and demons, soldiers and sailors, pirates andwarriors, slaves and serpents, skulls and skeletons.
Spirit Stills
2013
NRAn archaeology of both the ocean and the image, this piece reworks the sequences of Leviathan that were shot in and from the sea. Projected at 1/50 of the speed at which they were recorded, it simultaneously slows movement and animates the still, revealing a liminal universe at the threshold of human vision. In this flux, one beholds a netherworld of aqueous forms that appear in one frame and disappear or transmogrify into something else in the next.
He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013
NRAn archaeology of both the ocean and the image, this piece reworks the sequences of Leviathan that were shot in and from the sea. Projected at 1/50 of the speed at which they were recorded, it simultaneously slows movement and animates the still, revealing a liminal universe at the threshold of human vision. In this flux, one beholds a netherworld of aqueous forms that appear in one frame and disappear or transmogrify into something else in the next.
He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013
NRAn archaeology of both the ocean and the image, this piece reworks the sequences of Leviathan that were shot in and from the sea. Projected at 1/50 of the speed at which they were recorded, it simultaneously slows movement and animates the still, revealing a liminal universe at the threshold of human vision. In this flux, one beholds a netherworld of aqueous forms that appear in one frame and disappear or transmogrify into something else in the next.
He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013
NREphemeral encounters recorded during a walk beneath the elevated tracks of the No. 7 subway line in New York City.
7 Queens
2008
Filmed in the Rhône River delta, Delta is the second part of the prelude to Cosmofonia, an ongoing film and sound project that shifts attention from a point of view to a point of hearing. Here, Paravel turns toward the inaudible sounds of the Earth: infrasonic vibrations, seismic resonances, interspecies signals, and the acoustic traces of human activity. Most of these frequencies remain beyond ordinary human perception. By rendering them audible, the work opens a new sensory field and invites audiences to encounter the environment not as scenery, but as a dense and active mesh of relations.
Delta
2026
