Aurélia Alcaïs

Several interconnected chapters follow a variety of Parisian couples navigating love, desire, and relationships. Isabelle, frustrated by a year of celibacy, rejects her friend Zoé’s offer to "borrow" her husband and instead impersonates their mutual friend Amélie, who cannot bring herself to sleep with her close friend Boris. Meanwhile, the lonely Achille is stunned when his alluring new neighbor appears at his door in a negligee, proposing an affair. Elsewhere, middle-aged Emmanuelle struggles with an overwhelming attraction to every handsome man she encounters, threatening her marriage, while a young couple wrestles with jealousy. Each chapter delves into the unpredictability of love with humor and poignancy.

Paris, 1982. Franck and Serge are police investigators in charge of making a good catch in the Parisian porn industry. In order to infiltrate the mafia, they take over a peep show in Pigalle riddled with debts. In attempt to jump start the business, they begin to produce short porn films.

Juliette, twenty, falls in love. At the same time her father is diagnosed with a fatal disease.

A young woman is searching, today, in Paris, the collection of paintings stolen from her Jewish family during WWII.

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.

Two brothers, one very successful and the other not, switch places with each other, exchanging jobs and wives.

The unhappy love lives of Paul and Marcus, two artists and friends who are neither particularly young nor successful anymore.

Ali, an aspiring actor, works in a government-aided butchery and takes part in a cheap play. Defying his father's wishes, he moves to Paris to fulfill his dreams and starts living illegally alongside many other Arabs. Ali has a life-changing experience there that he won't fully remember until he returns to Egypt.

Independent Parisian doctor Annie finds herself in an emotional tangle when she tries to help single-minded HIV-positive patient Laurent and embarks on a brief affair with conceited actor Richard.

Philippe is a middle-aged painter, he lives with Annie : they have two kids. Just after they split up, Philippe meets Justine. He starts thinking about love, the relationship between former lovers..

Mélanie, a young student from Paris, is thinking of posing (nude) for a photographer...

Cut into six parts, this film Rohmer gives us the opportunity to discover a foultitude of pledges to be made between friends (the famous kiss to the Capucine or that of hare that, not dog , I give you pictures), hairy anecdotes on the Colin Maillard with small children, verbal exercises of high fly such as I love my lover by A. where you have to fiddle the brain to find words ... In "a", the game of the Fly where poor Alexandra Stewart finds herself surrounded by actors whom Rohmer had to find in a retirement home, the game of Kings and Queens adapted from the unavoidable Game of Robin and Marion d ' Adam de la Halle, who should bring back good memories to friend Gols (I, who in my time was a demi-god in old French, I had to poke a word out of twelve ... everything is lost, by God ) Or the mega bamboche charades game with a Pascal Greggory under acid