Yūzō Kawashima

Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s daughter befriends the mistress, the affair throws the family into turmoil.

Jiro Sone sacrifices all comfort to devote himself to research. Young housewife Yachiyo is disappointed with her husband Kappei, who is more attracted to mountain climbing and another girl. When Yachiyo’s father is introduced to Jiro, all of their lives become intertwined...

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

Set in the postwar turmoil, Akasaka no shimai paints a vivit portrait of the life of three sisters who struggle to live in Tokyo.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s daughter befriends the mistress, the affair throws the family into turmoil.

Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s daughter befriends the mistress, the affair throws the family into turmoil.

Jiro Sone sacrifices all comfort to devote himself to research. Young housewife Yachiyo is disappointed with her husband Kappei, who is more attracted to mountain climbing and another girl. When Yachiyo’s father is introduced to Jiro, all of their lives become intertwined...

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

Set in the postwar turmoil, Akasaka no shimai paints a vivit portrait of the life of three sisters who struggle to live in Tokyo.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.

In the thriving Tokyo neighborhood of Ginza, a woman in the process of selling her estranged husband’s art collection attempts to identify the man who painted her own portrait fifteen years prior.

Comedy about three soldiers, two female reporters, six prostitutes, and the wife of an officer, all stranded on a South Seas island at the end of World War II.

Comedy about three soldiers, two female reporters, six prostitutes, and the wife of an officer, all stranded on a South Seas island at the end of World War II.

No synopsis available yet.

The final film by Yuzo Kawashima.

A greedy, materialistic family attempts to cover-up the embezzlement committed by the son while keeping their other schemes active. They discover there are other, equally conniving players involved.

A President of the confectionery company announced his retirement, and his sixteen year old granddaughter, Madoka was ordered to be a new head. But Madoka wants to be a stage dancer, so she won't concentrate her office job. Madoka meets Akiyama, a stage director. Akiyama introduce her to his neighbors. In among poor but open minded people, Madoka has changed. Her new ambition is her company provide nice sweets for children. She decide to focus on the office job. But she doesn't know that company executives has conspiracy against her...

Comedy of manners set on the "Kodama" train between Tokyo and Osaka, before the opening of the Shinkansen. In the leading role, Frankie Sakai plays a straightforward but indecisive hero. The passengers also include the bubbly Dan Reiko, and Ozawa Eitaro as a dour company president. Based on the novel "Seven and a half hours", by Shishi Bunroku.

Japanese drama.

Japanese drama.

Ensemble comedy.

A drummer falls for a pawnbroker's daughter.

A drummer falls for a pawnbroker's daughter.

No synopsis available yet.

No synopsis available yet.

A continuation of Hungry Soul, from the same year. Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

A continuation of Hungry Soul, from the same year. Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

A childless lawyer and his wife take in the quiet daughter of an imprisoned client, whose presence eventually creates romantic tension with the husband. The household dynamic is further disrupted by the arrival of a bold friend from Osaka and the wife's chance encounter with a former flame.

A childless lawyer and his wife take in the quiet daughter of an imprisoned client, whose presence eventually creates romantic tension with the husband. The household dynamic is further disrupted by the arrival of a bold friend from Osaka and the wife's chance encounter with a former flame.

A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself 'already dead'.

The female members of the family of the Minister of Health and Welfare, who has just proposed a program of birth control, become pregnant one after the other. - Nikkatsu

The female members of the family of the Minister of Health and Welfare, who has just proposed a program of birth control, become pregnant one after the other. - Nikkatsu

In 1906, after finishing a tough migrant job in the Philippines, Takichi has returned to Japan. He starts to work as a rickshaw driver, but his lover had died of an illness, leaving a baby girl, Hatsue. Hatsue grows up beautifully and falls in love with Shintaro. But Takichi objects to their relationship...

A story about a high school sophomore, Uzumi Keiko (Kyoko Kami), in a coastal Japanese city, Keiko’s coming-of-age story centers on her strained relationship with her mother and her entanglement in social misunderstandings at school. Her journey reflects postwar Japan’s evolving attitudes toward youth, gender, and family honor, as personal choices become public matters.

No synopsis available yet.

When Yumiko Tsuyama, a potter by profession, comes inquiring about a room for rent in an old mansion overlooking Osaka, she finds a bizarre collection of characters already living there. The unlikely leader of this menagerie is Yoda Goro, who speaks four languages fluently, is an expert in cabbage rolls, and has written how-to books encompassing every aspect of human existence.

When Yumiko Tsuyama, a potter by profession, comes inquiring about a room for rent in an old mansion overlooking Osaka, she finds a bizarre collection of characters already living there. The unlikely leader of this menagerie is Yoda Goro, who speaks four languages fluently, is an expert in cabbage rolls, and has written how-to books encompassing every aspect of human existence.