Valeriya Gai Germanika

Underground dancers — Alice, Arseny, Stepan, Timur, Kirill, Lyosha and Kristina — are engaged in free creativity. They dream of getting recognition, but staying true to themselves. One day they get a chance to turn the game around: take part in a big documentary project and a TV show. Everyone will have to answer the question of why they dance — for the sake of popularity or at the call of their hearts.

End of days is already here - you just didn't notice...

Lev Nikolaevich, Levanka, Levochka, as his many friends call him, is a successful, glamorous, Moscow photographer. He's smart, good-natured. And he is an absolutely cynical person who can be rude to people. He lives in a world where talent, success and fame are valued above all else. At the same time, he is very childish, but does not realize this. The childhood fears are still inside him.

No synopsis available yet.

Innokenty Pechenkin is an absolute loser in life! All sorts of problems are falling on him, one by one, which, it would seem, are no longer solvable. But, at one point, the main character of the film gets a chance to solve all the difficulties at once, namely, to get a family, and that would be all right, but he only has a month of time!

In present day Moscow three childhood friends in their forties - former school band players - live their everyday lives of a police officer, a taxi driver and a surgeon. They have lost track of each other. Three stories of betrayal, love and ageing are told in parallel. In fact, unknown to our heroes, their paths cross and their lives become connected. But they are not aware of it even when they reunite for a breaking performance at their graduation anniversary.

What happens when the boundaries between the observer and the subject are obliterated? When love appears not as a polished image, but in the guise of a homeless, drunk, and wounded person whom the world has turned its back on? This is a story about love that refuses to acknowledge the "social gutter". It is about equality that cannot be imposed, but can be experienced. In this film, reality rewrites the script. What was intended as a documentary about volunteers helping the homeless suddenly transforms into a chronicle of an impossible love affair. The film producer falls in love with the protagonist – a homeless man named Edik. The camera captures not only the social drama but an inner revolution which comes at a price. The struggle with addiction, rejection, the lure of the streets, and the fear of being authentic. Yet, against all odds, in this struggle we discern a radical act of recognizing humanity in someone who is usually overlooked.

What happens when the boundaries between the observer and the subject are obliterated? When love appears not as a polished image, but in the guise of a homeless, drunk, and wounded person whom the world has turned its back on? This is a story about love that refuses to acknowledge the "social gutter". It is about equality that cannot be imposed, but can be experienced. In this film, reality rewrites the script. What was intended as a documentary about volunteers helping the homeless suddenly transforms into a chronicle of an impossible love affair. The film producer falls in love with the protagonist – a homeless man named Edik. The camera captures not only the social drama but an inner revolution which comes at a price. The struggle with addiction, rejection, the lure of the streets, and the fear of being authentic. Yet, against all odds, in this struggle we discern a radical act of recognizing humanity in someone who is usually overlooked.

What happens when the boundaries between the observer and the subject are obliterated? When love appears not as a polished image, but in the guise of a homeless, drunk, and wounded person whom the world has turned its back on? This is a story about love that refuses to acknowledge the "social gutter". It is about equality that cannot be imposed, but can be experienced. In this film, reality rewrites the script. What was intended as a documentary about volunteers helping the homeless suddenly transforms into a chronicle of an impossible love affair. The film producer falls in love with the protagonist – a homeless man named Edik. The camera captures not only the social drama but an inner revolution which comes at a price. The struggle with addiction, rejection, the lure of the streets, and the fear of being authentic. Yet, against all odds, in this struggle we discern a radical act of recognizing humanity in someone who is usually overlooked.

Valeria Guy Germanica's documentary "Emelianenko", dedicated to MMA fighter Alexander Emelianenko.

Valeria Guy Germanica's documentary "Emelianenko", dedicated to MMA fighter Alexander Emelianenko.

Valeria Guy Germanica's documentary "Emelianenko", dedicated to MMA fighter Alexander Emelianenko.

One Monday morning Katya, Vika and Zhanna learn that there will be a school disco, their first disco, on the coming Saturday night. The girls feverishly start preparing for the event, which rapidly becomes the most important moment ever in their universe, and looks like the ideal way to escape their daily lives...

WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach?

WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach?

The film is a parable about fear; it is a story about the attitudes of a mother and daughter deprived of love, who temporarily find mutual understanding, rallied by fear before the story invented by the mother about a cannibalistic wolf. On a philosophical level it is a reflection on the lost purity of thoughts, which is the main condition for the harmony of human life, and yet another illustration of the proverb: “The sleep of reason produces monsters”

The film is a parable about fear; it is a story about the attitudes of a mother and daughter deprived of love, who temporarily find mutual understanding, rallied by fear before the story invented by the mother about a cannibalistic wolf. On a philosophical level it is a reflection on the lost purity of thoughts, which is the main condition for the harmony of human life, and yet another illustration of the proverb: “The sleep of reason produces monsters”

The frank conversation of two sisters about their mother against the background of the older sister's daily life.

The frank conversation of two sisters about their mother against the background of the older sister's daily life.

Sasha is a young girl living in a block flat with her family in Moscow. Once she falls in love with Antonin, a bohemian artist and hard drinker. Their short love affair is pulling her down, to the bottom of her subconscious. Overwhelmed with beautiful and frightening visions, she starts to paint - violently, until she can stand on her feet.

The father of the Director Valeria Gai Germanica, the 91-year-old Alexander Brown, is deeply saddened by the death of his beloved wife. He goes on a summer trip together with the family of his daughter. Together they fly to the sea, and little by little the trip to Italy and Greece takes on the dimensions of an ancient tragedy: mortal danger and miraculous salvation, difficulties in translation and conflicts between generations. Human life turns out to be a journey full of emotions that can hardly be borne.

The father of the Director Valeria Gai Germanica, the 91-year-old Alexander Brown, is deeply saddened by the death of his beloved wife. He goes on a summer trip together with the family of his daughter. Together they fly to the sea, and little by little the trip to Italy and Greece takes on the dimensions of an ancient tragedy: mortal danger and miraculous salvation, difficulties in translation and conflicts between generations. Human life turns out to be a journey full of emotions that can hardly be borne.

The father of the Director Valeria Gai Germanica, the 91-year-old Alexander Brown, is deeply saddened by the death of his beloved wife. He goes on a summer trip together with the family of his daughter. Together they fly to the sea, and little by little the trip to Italy and Greece takes on the dimensions of an ancient tragedy: mortal danger and miraculous salvation, difficulties in translation and conflicts between generations. Human life turns out to be a journey full of emotions that can hardly be borne.

A few summer days of three ordinary Moscow girls on the threshold of adulthood. Farewell to childhood in schoolyards and entrances of sleeping areas, where everything is for the first time and the world is just beginning - from secretly purchased cigarettes and cans with gin and tonic to an adult passport, first love and almost real tragedies.

A few summer days of three ordinary Moscow girls on the threshold of adulthood. Farewell to childhood in schoolyards and entrances of sleeping areas, where everything is for the first time and the world is just beginning - from secretly purchased cigarettes and cans with gin and tonic to an adult passport, first love and almost real tragedies.

A young couple - Andrey and Maria - moved into a new apartment. Along with the ordered furniture, they receive a whole box of identical lamps. Who made a mistake with the order? An ad for IKEA.

Oleg lives in a small Belarusian village with his wife, three children, and his in-laws. He has practiced more than one trade: ensign, tractor driver, technician at a local school... Then he decides to leave for Moscow to earn extra money: the life of many people compels them to do this (it is always better here we are not). Yet, what reason has Oleg? A closer acquaintance with the life that remains behind in Belarus provides an unexpected answer to this question.

Oleg lives in a small Belarusian village with his wife, three children, and his in-laws. He has practiced more than one trade: ensign, tractor driver, technician at a local school... Then he decides to leave for Moscow to earn extra money: the life of many people compels them to do this (it is always better here we are not). Yet, what reason has Oleg? A closer acquaintance with the life that remains behind in Belarus provides an unexpected answer to this question.

A short film ad for Pedigree.

A short film ad for Pedigree.