Hiroshi Inagaki

Directing

Hiroshi Inagaki

Born 1905-12-30 · Tokyo, Japan

Hiroshi Inagaki (稲垣 浩 Inagaki Hiroshi, 30 December 1905 – 21 May 1980) was a Japanese filmmaker most known for the Academy Award-winning Samurai I: Musashi Miyamoto, which he directed in 1954. Born in Tokyo as the son of a shinpa actor, Inagaki appeared on stage in his childhood before joining the Nikkatsu studio as an actor in 1922. Wishing to become a director, he joined Chiezō Kataoka's Chiezō Productions and made his directorial debut in 1928 with Tenka taiheiki. Returning to Nikkatsu, he continued making jidaigeki and participated in the Naritaki Group of young filmmakers such as Sadao Yamanaka and Fuji Yahiro who collaboratively wrote screenplays under the made up name "Kinpachi Kajiwara". Like others in the group, Inagaki was known for his cheerful and intelligent samurai films. Inagaki later moved to Daiei and then Toho, where he made big budget color spectacles as well as delicate works depicting the feelings of children. He also produced many films and wrote the scripts for dozens of others.

Acting credits

Behind the camera

Samurai III: Duel at Ganryu Island poster
7.2

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

Samurai III: Duel at Ganryu Island

1956

Samurai III: Duel at Ganryu Island poster
7.2

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

Samurai III: Duel at Ganryu Island

1956

Yagyu Secret Scrolls: Ninjitsu - Part II poster
5.4

In the Tokugawa Era, the clan of Lord Yagyu has hidden away three scrolls containing clan secrets which, if revealed, would cause revolution and disaster for the clan. The information is divided among the three scrolls, all of which must be possessed for the secrets to be understood. When Princess Yuhime steals the scrolls, Tasaburo, a samurai with magical powers, and his brother Senshiro are sent to retrieve them. In Part II, the search for the scrolls continues.

Yagyu Secret Scrolls: Ninjitsu - Part II

1958

Chûshingura poster
7.1

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

Chûshingura

1962

Chûshingura poster
7.1

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

Chûshingura

1962

Life of a Country Doctor poster
8.5

A skilled country doctor's talents are such that he can even perform operations as difficult and novel as removing a patient's kidney for the first time in Japan. Unfortunately for him, however, his wife's addiction to gambling is of such a magnitude that he is down to selling his underwear to make money. The image sticks and he becomes known as the 'underwear doctor.' On the other hand, his successful surgery's patient is so grateful he himself wants to become a physician.

Life of a Country Doctor

1960

Daredevil in the Castle poster
7.5

During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.

Daredevil in the Castle

1961

Daredevil in the Castle poster
7.5

During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.

Daredevil in the Castle

1961

Samurai Banners poster
7.4

Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?

Samurai Banners

1969

Samurai Banners poster
7.4

Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?

Samurai Banners

1969

Samurai I: Musashi Miyamoto poster
7.2

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

Samurai I: Musashi Miyamoto

1954

Samurai I: Musashi Miyamoto poster
7.2

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

Samurai I: Musashi Miyamoto

1954

Samurai II: Duel at Ichijoji Temple poster
7.2

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers.

Samurai II: Duel at Ichijoji Temple

1955

Samurai II: Duel at Ichijoji Temple poster
7.2

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers.

Samurai II: Duel at Ichijoji Temple

1955

Sword for Hire poster
6.7

Soldiers Hayate and Yaheiji secretly escape from their besieged castle. Hayate has left behind his lover, Kano. On his way, Hayate is wounded and cared for by O’Ryo, who falls in love with him. But when Hayate accidentally kills her caretaker, he flees, with O’Ryo in pursuit. Subsequently, Hayate's comrade Yaheiji falls in love with Oryo. Kano, the lover left behind by Hayate, believes him dead, and becomes involved with another soldier, Jurota. When Jurota defects to the opposing army, he takes Kano with him. A double set of love triangles has developed, wherein each man and each woman loves one and is loved by another. Finally only combat and self-sacrifice can untangle the weave.

Sword for Hire

1952

Sword for Hire poster
6.7

Soldiers Hayate and Yaheiji secretly escape from their besieged castle. Hayate has left behind his lover, Kano. On his way, Hayate is wounded and cared for by O’Ryo, who falls in love with him. But when Hayate accidentally kills her caretaker, he flees, with O’Ryo in pursuit. Subsequently, Hayate's comrade Yaheiji falls in love with Oryo. Kano, the lover left behind by Hayate, believes him dead, and becomes involved with another soldier, Jurota. When Jurota defects to the opposing army, he takes Kano with him. A double set of love triangles has developed, wherein each man and each woman loves one and is loved by another. Finally only combat and self-sacrifice can untangle the weave.

Sword for Hire

1952

No artwork available
NR

There is an inn named Asano Ya in the port town, and a beautiful woman works there. Every year, during a local festival, travelling artists and teachers gather from all over the country, including sesame oil sellers and organ grinders. The day before the festival, trouble arises with some horses.

Festival Across the Sea

1941

The Rickshaw Man poster
7.2

A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.

The Rickshaw Man

1958

The Rickshaw Man poster
7.2

A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.

The Rickshaw Man

1958

No artwork available
NR

The sequel to the 1935 film Great Bodhisattva Pass

Great Bodhisattva Pass 2

1936

No artwork available
NR

The sequel to the 1935 film Great Bodhisattva Pass

Great Bodhisattva Pass 2

1936

The Three Treasures poster
5.5

The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.

The Three Treasures

1959

Shinsengumi: Assassins of Honor poster
6.9

Near the end of the nineteenth century, as the balance of power shifts from Shogunate towards the Emperor, Japan restlessly awaits the dawning of a new age. But not all are content...The Shinsengumi, a small army of samurai, farmers and peasants, band together to do battle against the tide of history. Their leader, Isami Kondo is a man who rises from farmer to fighter to head the fierce Shinsengumi brigade. Using a stern hand and a heart of gold, he rallies his men in defense of the tottering Shogunate. But bloodshed and treachery lurk around every corner.

Shinsengumi: Assassins of Honor

1969

Geisha in the Old City poster
10.0

Directed by Hiroshi Inagaki, the drama, set in the brothels of Shimabara in post-war Kyoto, is a moving look at the lives of women of tenacity and resilience.

Geisha in the Old City

1957