Cecilia Bârbora

Black comedy on New Year's Eve. Fulfilling her list of New Year's resolutions creates more problems than solutions for Monica (Cosmina Olariu).

The residents of a retirement home start a football team.

Two couples, very close friends, wonderful doctors and architects, people who make decisions for others in decisive problems on a daily basis, live a life of prosperity, and everything seems to feel like a paradise to them. The normal coexists with the pathological. Someone wants more. Passion ravages. Sometimes the road to crime is very simple, just a step. Almost inexplicable to many. A clear view of a world, an above average class, with a seemingly successful and happy existence.

Drăgan Niță is a humble French teacher from Romania that has always dreamt of visiting Paris one day. To make his dream come true, he saves 1 lei every day.

Marcel is a forty-year-old Belgian businessman married to Marilena. He has developed a passion for her. The second passion is for street children, because Mr. Marcel loves Romania, where street children abound and where a certain discretion is sufficient for pedophile urges. Marilena is forced to accept for the sake of a supposedly harmonious household. Mr. Marcel soon finds that his marital equilibrium has become unstable. As such, Simona, who recommends herself as a teacher, adds to these sensual explorations with drugs and inventiveness. She supplements her income and her need for "powders" by helping couples willing to get out of the marital rut. Marilena, jealous, disowns her and comes to the point of breaking off the marital relationship.

In order to make a living, old Nica turns her country house into an anemic, bankrupt "pension". Her only joys are her dog's chirping and the TV news program. Out of loneliness, she sometimes imagines herself the heroine of a soap opera: secretly, Nica is in love with the news anchor Paul. The old woman decides to take a trip to Bucharest, where her daughter, Tuta, a nurse, lives with her concubine, Jenel, and Marilena, her 15-year-old daughter. In the capital, her passion for Paul takes paroxysmal forms. Nica monopolizes the remote control to stay on the same TV channel for which Paul presents the news, which will attract the family's irony. She even goes so far as to look for her "beggar" at the TV station, writes to him, exposing herself to humiliation and mockery. But she resists until illness and shame bring her down. Everything culminates in the old woman's attempt to commit suicide...

Titi and Marius, two friends who fought together during the revolution of 1989, follow very different social and political paths in its aftermath.

An old man and an old woman each have a girl. Influenced by old woaman, the old man compared to banish their home, and it goes in the world. Because of its virtues, she will gain from Holy Friday a box full of riches. Jealous, old woman's daughter and she is looking to get a gift from the Holy Friday, but because of its flaws will only get out of trouble.

In post-communist Romania, young prosecutor Dumitru Costa is sent to investigate a miner's suspicious death in the Jiu Valley. As he delves deeper, he uncovers a network of corruption and negligence within the local mining community. Costa's pursuit of justice pits him against powerful interests, testing his resolve in a society struggling with the aftermath of transition.

This Romanian dramatic comedy offers metaphorical commentary on life after Ceausescu's reign as it tells the story of a rural community turned topsy-turvy in their mad quest for the snails a prominent senator has requested for his dinner. The trouble begins when a rather imposing, pompous senator comes to visit a small rural Romanian town for a ribbon-cutting ceremony for their new hydro-electric dam. After he finishes his speech, the senator is accosted by a Swiss film crew eager to interview him. The senator is inordinately concerned with presenting a positive image of Romania to the world at large and so when he learns that he and the journalists are to stay at the same villa, does everything he came to make sure that they see nothing scandalous.

Free adaptation of the book "The Pitesti phenomenon" by Paul Goma. The last days of World War II. All people resembling Adolf Hitler, Eva Braun, Goebbels, Bormann and other Nazi leaders are arrested and taken to a camp so that the real fascist criminals can be discovered and punished. Thus begins the long nightmare of these characters, who will suffer for unproven crimes. For a year they will live in total isolation from the rest of the world, living a hellish existence.

Young Doina has a car accident. In intensive care, the doctor, Vali, calls her time of death but discovers that the child she was carrying is still alive. Wishing to save its life, the doctor puts the mother on artificial life support. Just then, Bebe, the supposed father of the unborn child, enters the scene. A former teacher and mountain climber, Bebe will soon fall in love with the doctor...

A satire of artificiality in advertising, especially surprising due to the moment when it was made, in the mid 1980s. The ironic clichés anticipate the sexualized imagination of the 1990s: young women biting lasciviously from a piece of chocolate that melts on their face, lovers sipping allusively on a champagne, the cork of which pops under pressure. Advertising is, at the same time, a tribute to the efforts of the shooting crew, forced to work in difficult conditions - that are hyperbolized in the film - and to find all sorts of ingenious solutions so that the implausible situations they present look as polished and as desirable as possible.

Jacob (Dorel Visan) is a gold miner who risks his life daily to support his wife, mother-in-law, and four children in this socio-political drama. Under the rule of an oppressive monarchy backed by military force, the miners often resort to stealing gold to compensate for their meager wages. Workers are subjected to strip searches and are forced to take laxatives by the often brutal guards and inspectors as they look for stolen gold, and Jacob raises his vocal objections over the treatment of his fellow workers.

In August 1944 Romania, a group of telephone operators are caught in the events in a new center placed in a forest to evade bombardment.