Rita Hui

Hong Kong's high-speed rail link, the demolition of Choi Yuen Village, the impending budget and the influence of the global Occupy movement are at the centre of independent filmmaker Lo's timely measure of the city's pulse. Ostensibly the third entry in a trilogy that began with 21 years after. (2010) and to be continued (2010), which also captured public reaction to watershed moments in Hong Kong's political life since 2009. The documentary was built upon the material used in its previous installment (to be continued, 46 minutes). It disproves the notion of a passive Hong Kong in a chronicle of a generation poised for massive social change.

Fong Ka-Man, has been leading a middle class lifestyle. One day, during a heavy rain in the dusk, bearing the fear of illness, she is unwillingly staying away from the rain inside the tunnel. She first encounters a weird tramp, and then a young farmer who is rushing to deliver his harvest. It’s about how the “normal” passes by the “abnormal”. What makes them “normal” and “abnormal” seems to be realistic, but maybe it is just a void. Fong Ka-Man is anxious to find an exit from the difficult circumstance, but accidentally she finds out that what she yearns for is the disappeared end of this city.

During a farewell ceremony for a family friend, Cotton begins feeling as if her body and her consciousness are separating. Different memories, identities and actions are lingering inside Cotton, which aggravate the unusual relationship between herself, her lame boyfriend and her psychiatrist.

Depicts a man who gets into a motorcycle accident, his wife Mei, younger sister, and mother. It also tells the story of Ying, a young woman, who is murdered in their home, policeman Jing who is investigating the case, and his wife Yin, who is having an affair with a fellow policeman. They are all connected. The more Jing tries to solve the case, the more cryptic their relationship becomes, and past memories come to light.

Lai Yee returned in Ho Chung, Sai Kung's home, alerted the village by the time of baptism is not as good as ever, but after ten years away, the mother (Tan Amy decoration), has also grow old, no longer was. Lai Yee re-enter the simple natural life, waiting at the mother's side, seems to want to recover the past ten years time, but the quiet outskirts of rigid world, but because old classmate Lin (Lawrence Chou decorated) broke into and became noisy. Two respective corner of the village, traveled with emotional regret to embark on finding love journey. Short period of time is full of lies, secrets and indulgence. Finally everyone is to find the big blue lake, a large blue lake in the heart and mind, to re-learn to put your face to meet the future more flee war.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

Hong Kong's high-speed rail link, the demolition of Choi Yuen Village, the impending budget and the influence of the global Occupy movement are at the centre of independent filmmaker Lo's timely measure of the city's pulse. Ostensibly the third entry in a trilogy that began with 21 years after. (2010) and to be continued (2010), which also captured public reaction to watershed moments in Hong Kong's political life since 2009. The documentary was built upon the material used in its previous installment (to be continued, 46 minutes). It disproves the notion of a passive Hong Kong in a chronicle of a generation poised for massive social change.

Fong Ka-Man, has been leading a middle class lifestyle. One day, during a heavy rain in the dusk, bearing the fear of illness, she is unwillingly staying away from the rain inside the tunnel. She first encounters a weird tramp, and then a young farmer who is rushing to deliver his harvest. It’s about how the “normal” passes by the “abnormal”. What makes them “normal” and “abnormal” seems to be realistic, but maybe it is just a void. Fong Ka-Man is anxious to find an exit from the difficult circumstance, but accidentally she finds out that what she yearns for is the disappeared end of this city.

During a farewell ceremony for a family friend, Cotton begins feeling as if her body and her consciousness are separating. Different memories, identities and actions are lingering inside Cotton, which aggravate the unusual relationship between herself, her lame boyfriend and her psychiatrist.

During a farewell ceremony for a family friend, Cotton begins feeling as if her body and her consciousness are separating. Different memories, identities and actions are lingering inside Cotton, which aggravate the unusual relationship between herself, her lame boyfriend and her psychiatrist.

Depicts a man who gets into a motorcycle accident, his wife Mei, younger sister, and mother. It also tells the story of Ying, a young woman, who is murdered in their home, policeman Jing who is investigating the case, and his wife Yin, who is having an affair with a fellow policeman. They are all connected. The more Jing tries to solve the case, the more cryptic their relationship becomes, and past memories come to light.

Depicts a man who gets into a motorcycle accident, his wife Mei, younger sister, and mother. It also tells the story of Ying, a young woman, who is murdered in their home, policeman Jing who is investigating the case, and his wife Yin, who is having an affair with a fellow policeman. They are all connected. The more Jing tries to solve the case, the more cryptic their relationship becomes, and past memories come to light.

Lai Yee returned in Ho Chung, Sai Kung's home, alerted the village by the time of baptism is not as good as ever, but after ten years away, the mother (Tan Amy decoration), has also grow old, no longer was. Lai Yee re-enter the simple natural life, waiting at the mother's side, seems to want to recover the past ten years time, but the quiet outskirts of rigid world, but because old classmate Lin (Lawrence Chou decorated) broke into and became noisy. Two respective corner of the village, traveled with emotional regret to embark on finding love journey. Short period of time is full of lies, secrets and indulgence. Finally everyone is to find the big blue lake, a large blue lake in the heart and mind, to re-learn to put your face to meet the future more flee war.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

In the rainy day, a man and a woman talk about milk and coffee in the tunnel.

In the rainy day, a man and a woman talk about milk and coffee in the tunnel.

“History is not just a matter of date”, said Chris Patten in his last speech as British Governor of Hong Kong, shortly before the United Kingdom handed administration of the province back to China in 1997. In DECAMERON, Rita Hui Nga Shu combines this speech and other historical sources with fiction and contemporary images. Her gripping documentary takes a critical look, for example, at the question of what Hong Kong actually is at this particular moment in time.

“History is not just a matter of date”, said Chris Patten in his last speech as British Governor of Hong Kong, shortly before the United Kingdom handed administration of the province back to China in 1997. In DECAMERON, Rita Hui Nga Shu combines this speech and other historical sources with fiction and contemporary images. Her gripping documentary takes a critical look, for example, at the question of what Hong Kong actually is at this particular moment in time.

Many things happen under the wall, and many people always talk with the wall just like Charlie Brown. This story is talking about the relationship of the wall, city, memory and history.

A normal day, a normal family in Hong Kong, a normal school girl and a normal incident at home.

1998 short film by Rita Hui

Hong Kong filmmaker and artist Rita Hui Nga Shu layers life, declassified governmental documents and her AI-cloned voice to open a dialogue between the promises on paper and the reality of life for Hong Kongers. An uncompromising, impactful and radically human film-essay.

Hong Kong filmmaker and artist Rita Hui Nga Shu layers life, declassified governmental documents and her AI-cloned voice to open a dialogue between the promises on paper and the reality of life for Hong Kongers. An uncompromising, impactful and radically human film-essay.

Hong Kong filmmaker and artist Rita Hui Nga Shu layers life, declassified governmental documents and her AI-cloned voice to open a dialogue between the promises on paper and the reality of life for Hong Kongers. An uncompromising, impactful and radically human film-essay.