Ghasem Ebrahimian

On one wall, a singer delivers a passionate love song to a group of men. He is faced away from his audience, secure that his performance will be accepted and adored. On the opposite wall, a woman in a black chador stands silently throughout his song. Then something stunning happens…

Iranian businessman Haji returns to Manhattan with his new bride, Mariyam. Haji's friends plan a feast to celebrate the marriage in the traditional style, which includes a slaughtered lamb. Lamb's blood from the messy ritual dripping into the apartment below causes a suspicious neighbor to call the police. When Haji is killed in the ensuing police intervention, the widow Mariyam is wooed by Haji's friends. Sensing Mariyam's reluctance, Mohammed acts quickly to propose marriage with tragi-comedic consequences.

A profile of the Iranian film industry

On one wall, a singer delivers a passionate love song to a group of men. He is faced away from his audience, secure that his performance will be accepted and adored. On the opposite wall, a woman in a black chador stands silently throughout his song. Then something stunning happens…

Iranian businessman Haji returns to Manhattan with his new bride, Mariyam. Haji's friends plan a feast to celebrate the marriage in the traditional style, which includes a slaughtered lamb. Lamb's blood from the messy ritual dripping into the apartment below causes a suspicious neighbor to call the police. When Haji is killed in the ensuing police intervention, the widow Mariyam is wooed by Haji's friends. Sensing Mariyam's reluctance, Mohammed acts quickly to propose marriage with tragi-comedic consequences.

A profile of the Iranian film industry