Marian Moštík

Young married couple Radek and Johana are considering adoption. In order to weigh up the possible risks, they gatecrash a meeting of their contemporaries who grew up in adoptive families and contacted each other via internet chat rooms. A group of thirty-somethings get together at a campsite for a few days in order to set up an association in support of adoption. Despite their shared fate and "noble” intentions, the members of this small community don’t hit it off. Where does pretentious tolerance end and buck-passing indifference begin? And what has decent morality got in common with xenophobia? As an ironic reflection that questions how prepared we should be to help each other out, the film offers a sophisticated and poetic take on the grimly authentic style of the Dogme 95 Manifesto. This satirical comedy was the result of collaboration with the LÁHOR/Soundsystem theatre group, which focuses on realistic collective stage improvisation within the structure of a predetermined story.

Gregorius, the Outcast. As an infant, he was abandoned by his own parents, conceived through the sinful love of a brother and sister. As a young man, misunderstood in a humble fishing village, he imagined the lake as an ocean, a small boat as a throne, and a spear as a royal sceptre. Yet deep within, he knew he was destined for something greater. Driven by a desire to become a knight and make the world a better place, Gregorius embarks on a journey that reveals the unfathomable ways of God. For within every sinner, there may also dwell a saint. Whether you are an outcast, a knight, a king, a hedgehog, or a pope, beneath the heavens there is ultimately only one true path: the path of a pure heart. Gregorius, the Chosen One. Inspired by Thomas Mann's novel, Tomasz Mielnik's poetic absurd comedy transports audiences to a long-lost age, when the star-filled sky served as a map of endless, radiant, and irresistible journeys.