Vladimir Sorokin

Inspired by the physicists who built the Soviet atomic bomb, the film DAU follows a brilliant Greek-born physicist from 1928 through four tumultuous decades in the USSR. Driven to uncover the laws of the universe, the idealistic Dau is drawn into state service to help create one of history’s deadliest weapons. Inside a secret research institute, life is governed by scientific ambition, power, surveillance and privilege. As his autonomy erodes, Dau seeks freedom beyond his marriage through a succession of affairs, gradually losing both himself and his capacity to love. At once an intimate portrait of a man in pursuit of happiness and freedom and a vast fresco of a society founded on violence and ideology, DAU traces the small compromises that shape a life and alter the course of history.

Literature talkshow with Jessika Gedin.

Moscow, the 90s ... A city without a past and without a future. A city that doesn't forgive mistakes. Showing Moscow bohemia, the criminal business: nightlife, easy money, excitement and confusion form the surface of this life. The main characters of the film are businessman Mike and his friend and partner in smuggling Lev, a psychiatrist Mark and his school friend Irina who became the mistress of a nightclub, her two daughters - a crazy Olga working in the same club as a singer, and Masha - the “Moscow Princess” on the threshold of her thirtieth birthday. Love stories smoothly flow into a crime drama.

A small town in Siberia is quarantined for several months. People are dying of a mysterious illness, the source of which lies hidden in the water. The survivors hide in their apartments, but the contaminated water flows through their homes. Self-defence groups and despondent loners hunting their own kind roam through the empty streets. In an attempt to save her mother’s life, the heroine ventures out into the unknown, so that she can overcome her fear and attempt to rekindle her relationship with the outside world, which is now humanity’s mortal enemy.

Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth?

In this movie we follow fate not a person but car: first Soviet Lada. It starts with Brezhnev daughter and then gradually moves on parallel to last years of USSR into wild after-perestroika years with bandits and newly born oligarchs.

Literature talkshow with Jessika Gedin.

Inspired by the physicists who built the Soviet atomic bomb, the film DAU follows a brilliant Greek-born physicist from 1928 through four tumultuous decades in the USSR. Driven to uncover the laws of the universe, the idealistic Dau is drawn into state service to help create one of history’s deadliest weapons. Inside a secret research institute, life is governed by scientific ambition, power, surveillance and privilege. As his autonomy erodes, Dau seeks freedom beyond his marriage through a succession of affairs, gradually losing both himself and his capacity to love. At once an intimate portrait of a man in pursuit of happiness and freedom and a vast fresco of a society founded on violence and ideology, DAU traces the small compromises that shape a life and alter the course of history.

Moscow, the 90s ... A city without a past and without a future. A city that doesn't forgive mistakes. Showing Moscow bohemia, the criminal business: nightlife, easy money, excitement and confusion form the surface of this life. The main characters of the film are businessman Mike and his friend and partner in smuggling Lev, a psychiatrist Mark and his school friend Irina who became the mistress of a nightclub, her two daughters - a crazy Olga working in the same club as a singer, and Masha - the “Moscow Princess” on the threshold of her thirtieth birthday. Love stories smoothly flow into a crime drama.

A small town in Siberia is quarantined for several months. People are dying of a mysterious illness, the source of which lies hidden in the water. The survivors hide in their apartments, but the contaminated water flows through their homes. Self-defence groups and despondent loners hunting their own kind roam through the empty streets. In an attempt to save her mother’s life, the heroine ventures out into the unknown, so that she can overcome her fear and attempt to rekindle her relationship with the outside world, which is now humanity’s mortal enemy.

Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth?

In this movie we follow fate not a person but car: first Soviet Lada. It starts with Brezhnev daughter and then gradually moves on parallel to last years of USSR into wild after-perestroika years with bandits and newly born oligarchs.

Aleksandra Yanovskaya works in "Hamilton Reed" company in New-York, but one day finds herself in whirl of activity, including games of Russian and American intelligence agencies, chases and spying around the project of hydrogen engine.

An ongoing experiment, evolving from a biopic about Soviet physicist Lev Landau into a large scale project – part cinematic cycle, part behavioral experiment – involving hundreds of participants from around the world. Combining elements of film, theatre, science, psychology, architecture, visual arts and performance, it has created a complex and absorbing world that has to be lived as much as seen.

A Soviet collage in which the evolution of the fascist's image in Soviet cinema is analyzed.

In the year 2020, a group of wealthy Moscovites travel to an abandoned astrophysics complex, rumoured to have enough power to halt the process of aging.