Giancarlo Ruiz

A man going through a crisis chooses to live somebody else's life for a week, transforming his identity.

In the Fall of 1963, Lee Harvey Oswald travels to Mexico City in pursuit of a visa to the Soviet Union. At the Cuban Consulate, he meets a woman, Silvia Duran, who might be the key to getting what he wants. Based on real events.

An alcoholic priest receives confessions online throughout the eternal quarantine.

Holed up in Tijuana on a path to self-destruction, an Iraq veteran seeks deliverance by helping a young Mexican woman navigate the underworld in a quest for her long-lost brother.

Estela, a mute girl who lives in the countryside, develops a passion for photography. Through her camera she captures the landscapes that reflect her deepest feelings. Her life changes when a strange illness takes hold of her sister.

Brothers Leo and Argel face the latter's poverty and autism together. When a maniac starts to scare the small town they live in, Argel' drug problems intensify and Leo's reality changes, building a stylized and tormented tale of revenge, grief and brotherhood.

Renato, Abel & Gabriela are a family torn apart by their emotions. For them, the longing for happiness and breaking free from their harsh realities seems punishable. Their individual choices will take its toll on the lives of others, bringing forth the fragile ties that bind them.

A married couple loses their children while on a family trip near some caves in Tijuana. The kids eventually reappear without explanation, but it becomes clear that they are not who they used to be, that something terrifying has changed them.

In this new horror anthology, nine Mexican directors come together to tell stories about the most brutal, ruthless and bizarre Mexican traditions and legends.

New York City, October 10, 1965. A group of wooden giant figures from Pamplona, representing Basque culture and traditions, parade down the street; but the local authorities have not allowed the appearance of all of them: due to the racial prejudices that persist in many sectors of society, the participation of two black giants has been banned.

A couple struggles to pass time together because both work for the same company but in different shifts.

In Tijuana, Mexico, Gabriel is a man who once had a normal and happy life alongside his family. He now seeks revenge for the murder of his son at the hands of a group of vampires that roam the city at night, stalking its inhabitants. Gabriel's days blur into one another as he tries to track down the murderers he calls "leeches", without knowing that his revenge will bring serious consequences for his wife and himself.

A girl from Honduras meets Hecho, who promises to get her safely to America to reunite with her mother. Instead, Nona faces a perilous journey when he doesn't deliver on that promise.

Felipe and Claudio have a unique relationship. Somehow destiny pulls them apart and sets Felipe on a journey where he will risk everything in his pursuit of happiness.

An interracial couple fights against all odds to protect their son in a new dystopian nation divided by race.

The way in which every moment lives a security guard who works at night, discovers his steps.

Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.

García Bogliano’s love triangle drama follows the unexpected reunion between former high school classmates Alicia and Marianela, whose initially warm meeting takes a sinister turn. Alicia, portrayed by Alexis Cárdenas, becomes deeply suspicious of Marianela, played by Samantha Coronel, as she senses an affair between her husband (Mauro Sánchez Navarro) and her mentally perturbed friend.