Jeff Preiss

A celebration of Ken Jacobs' work at 80WSE.

An experimental portrait of the New York gallerist and publisher Christine Burgin told through her Borgesian library of strange and visionary books by such eclectic figures as Dinshah Ghadiali, Eva Carrière, Charles Ford, Richard Shaver, and Wilhelm Reich. Seen through 16mm film, VHS tape, 35mm slide sources as well as the full spectrum of visible color, The Secret World invites us into a self-contained universe of mystical, even crackpot thinking and imagining, as Burgin's longtime friends and "documentarians" Jeff Preiss and Josiah McElheny leaf through "images of lost Atlantis found in a rock, perpetual motion machines or manifested ectoplasm in historic performances." – Museum of Modern Art

The daughter of jazz pianist Joe Albany witnesses her beloved father's struggle -- and failure -- to kick his heroin habit.

A quickfire portrait of the New York City ballroom scene in the ‘80s.

“[This video was made while] both Guagnini and Preiss were undergoing and studying Reichian therapy; developed by psychoanalyst Wilhelm Reich, this form of therapy is used to attenuate tension (and therefore, trauma) through very quick breath and eye movements. Preiss’s sharp editing is key in embodying Reichian techniques through film, while much of the repressed trauma informing Guagnini’s performance references a history of the dictatorship in his native Argentina in the 1970s and 80s.” –MISHKIN GALLERY

An experimental portrait of the New York gallerist and publisher Christine Burgin told through her Borgesian library of strange and visionary books by such eclectic figures as Dinshah Ghadiali, Eva Carrière, Charles Ford, Richard Shaver, and Wilhelm Reich. Seen through 16mm film, VHS tape, 35mm slide sources as well as the full spectrum of visible color, The Secret World invites us into a self-contained universe of mystical, even crackpot thinking and imagining, as Burgin's longtime friends and "documentarians" Jeff Preiss and Josiah McElheny leaf through "images of lost Atlantis found in a rock, perpetual motion machines or manifested ectoplasm in historic performances." – Museum of Modern Art

Preiss had the rare chance to salvage a selection of 8mm reeled from his archive; 30 years after it was first shot, this lovingly refashioned material returns as…a luminescent ode to the friends, filmmakers and artists with whom Preiss lived and worked during this time.

This 50-minute release features promotional videos to the band's four singles from Out of Time ('Losing My Religion', 'Shiny Happy People', 'Near Wild Heaven' and 'Radio Song') in addition to videos to the album tracks 'Low', 'Belong', 'Half A World Away' and 'Country Feedback'; an acoustic performance of 'Losing My Religion' from The Late Show; and a live acoustic performance of 'Love Is All Around' from MTV Unplugged. Also included is 'Endgame', an instrumental track, played over the feature's credits; and several avant-garde clips, ranging from ten seconds to one minute, playing in between each song. This incidental footage was directed by Michael Stipe.

Distilled from 2,500 100-ft rolls of 16mm film shot between 1995 and 2011 – organized sequentially by numbered lab rolls of camera negative into four half-hour parts.

Sketches for Late City Final (Jem Cohen, Peter Hutton, Jeff Preiss, Adam Grossman Cohen, co-produced by Fred Riedel, c. 1991)