Marina Goldovskaya

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

Reveals the history of camerawomen around the world, celebrating not only the survival of pioneer women in a male-dominated field, but a new generation of camerawomen's visions.

Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.

The film is about Prince Meshchersky, a descendant of a famous Russian princely family, the sole heir to an estate in the village of Alabino near Moscow, which was razed to the ground in the 40s and turned into rubble for road construction. Of the former beauties of the once magnificent palace, only the tall columns of the facade remain. Yevgeny Meshchersky came from Ukraine with his family to restore the estate completely, as it was before the seventeenth year.

The film is about Prince Meshchersky, a descendant of a famous Russian princely family, the sole heir to an estate in the village of Alabino near Moscow, which was razed to the ground in the 40s and turned into rubble for road construction. Of the former beauties of the once magnificent palace, only the tall columns of the facade remain. Yevgeny Meshchersky came from Ukraine with his family to restore the estate completely, as it was before the seventeenth year.

In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.

In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.

In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.

Valentina Tereshkova's journey from a peasant girl to the first woman in space. After factory work and technical studies, her parachuting hobby led to joining the cosmonaut program, making her a Soviet hero.

Oleg Yefremov was one of the most beloved actors and directors in Russia. He was the founder of the Sovremennik (Contemporary) Theatre and later became the artistic director of the Moscow Art Theatre. The film shows him in a moment of extreme dramatic tension: Yefremov has decided to split the repertory company into two. His aim is to re energize a stagnant group of actors and move them away from an artistic "dead end". The company, split into supporters and detractors discusses the situation on very heated terms. The situation mirrors the overall climate of a country and a society shaken by the changes brought about by perestroika.

Oleg Yefremov was one of the most beloved actors and directors in Russia. He was the founder of the Sovremennik (Contemporary) Theatre and later became the artistic director of the Moscow Art Theatre. The film shows him in a moment of extreme dramatic tension: Yefremov has decided to split the repertory company into two. His aim is to re energize a stagnant group of actors and move them away from an artistic "dead end". The company, split into supporters and detractors discusses the situation on very heated terms. The situation mirrors the overall climate of a country and a society shaken by the changes brought about by perestroika.

"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries on a cluster of islands off the remote White Sea coast. Though its name derives from the Russian word for nightingale, the title of the film echoes the term 'Soviet power', stressing the fact that from the very beginning the Soviet penal colonies were a world unto themselves.

The film is a personal journey that began in the Shaking world of Moscow during the uprising against Yeltsin and continued in Los Angeles during and after the devastating earthquake of 1994.

The film is a personal journey that began in the Shaking world of Moscow during the uprising against Yeltsin and continued in Los Angeles during and after the devastating earthquake of 1994.

"I don't think that the chairman of the Bedul collective farm, if we had trusted his direct interview, would have told us something particularly interesting. His life had taught him well not to say too much, and if he did, it was without going beyond what was accepted in his circle. And when we were next to him day after day, when he didn't know whether we were filming him or not, he couldn't help but become not the way he would like to present himself for the screen, but the way he was in life." Marina Goldovskaya

"I don't think that the chairman of the Bedul collective farm, if we had trusted his direct interview, would have told us something particularly interesting. His life had taught him well not to say too much, and if he did, it was without going beyond what was accepted in his circle. And when we were next to him day after day, when he didn't know whether we were filming him or not, he couldn't help but become not the way he would like to present himself for the screen, but the way he was in life." Marina Goldovskaya

Using the example of the family of Nikolai Stepanovich Sivkov, who lives on the Krasnaya Gorka farm in the Arkhangelsk region, the film tells about the difficult problems of implementing a family contract in rural areas. The film touches on the issues of rural labor organization, the place of commodity-money relations in the socialist economy, family work, the meaning, value and costs of self-employment in our society.

Yelena Obraztsova is one of the brightest stars of international opera. She performed, and continues to perform on world stages in the star-studded shows of Herbert von Karajan and Franco Zeffirelli. In this film the great singer is captured during one of her rare visits to her apartment in Moscow along with her long-time accompanist, the piano virtuoso Vaja Chachawa.

Yelena Obraztsova is one of the brightest stars of international opera. She performed, and continues to perform on world stages in the star-studded shows of Herbert von Karajan and Franco Zeffirelli. In this film the great singer is captured during one of her rare visits to her apartment in Moscow along with her long-time accompanist, the piano virtuoso Vaja Chachawa.

The film is about Yuri Zavadsky, his work as the chief director of the Moscow Theater. The Moscow City Council and the last performance of the master - "Petersburg Dreams" (based on Dostoevsky's novel "Crime and Punishment").

The history of Russian poetry contains a tragic episode: the tragic fate of the legendary Marina Tsvetaeva, who returned to the USSR shortly before the start of World War II, then committed suicide in 1941. The fate of her sister, Anastasia - also a poet - is lesser known, despite the fact that she, too, had a life as interesting and nearly as tragic. This video-portrait of Anastasia Tsvetaeva, shot when she was over 90, is a fascinating glimpse into the life of a woman who saw history unfolding. Despite her advanced years, she maintains a bright wit, a charm, and a joie de vivre, evident as she recounts her memories.

The history of Russian poetry contains a tragic episode: the tragic fate of the legendary Marina Tsvetaeva, who returned to the USSR shortly before the start of World War II, then committed suicide in 1941. The fate of her sister, Anastasia - also a poet - is lesser known, despite the fact that she, too, had a life as interesting and nearly as tragic. This video-portrait of Anastasia Tsvetaeva, shot when she was over 90, is a fascinating glimpse into the life of a woman who saw history unfolding. Despite her advanced years, she maintains a bright wit, a charm, and a joie de vivre, evident as she recounts her memories.

Covers six weeks of the lives of Sasha Politkovsky, a prominent TV journalist, and his family. Chronicles the events of 1990 as glasnost and perestroika lift the lid of totalitarianism in the Soviet Union.

When the turmoil of contemporary Russia was settling in the 90th and everyone's existence was starting to resemble some kind of normality, we were wondering what life was like for the generations of Russians who grew up in the midst of oppression,... suffering through wars and revolutions and who during the culmination of their lives, experienced a new world of freedom and democracy and... turmoil. What was it like to go to School in Moscow in the beginning of the thirties? What happened to the students once they graduated and faced the realities of life and how did they... normal, down-to-earth people... weather the storms of their existence?

When the turmoil of contemporary Russia was settling in the 90th and everyone's existence was starting to resemble some kind of normality, we were wondering what life was like for the generations of Russians who grew up in the midst of oppression,... suffering through wars and revolutions and who during the culmination of their lives, experienced a new world of freedom and democracy and... turmoil. What was it like to go to School in Moscow in the beginning of the thirties? What happened to the students once they graduated and faced the realities of life and how did they... normal, down-to-earth people... weather the storms of their existence?

The film's plotline was the rehearsals of the play "Brest Peace" based on the play of the same name by M.Shatrov at the Yevg.Vakhtangov State Academic Theater, which made it possible to see M. Ulyanov at work on the role of V.I.Lenin, to trace the birth of the image, to see the manifestation of his character.

The film's plotline was the rehearsals of the play "Brest Peace" based on the play of the same name by M.Shatrov at the Yevg.Vakhtangov State Academic Theater, which made it possible to see M. Ulyanov at work on the role of V.I.Lenin, to trace the birth of the image, to see the manifestation of his character.