Moacyr Franco

No synopsis available yet.

Vende-se um Véu de Noiva is a Brazilian telenovela produced and broadcast by SBT from June 16, 2009, to January 9, 2010. It is based on the radio serial of the same name written by Janete Clair, which was also adapted into the 1969 telenovela Véu de Noiva by TV Globo. Created and adapted by Íris Abravanel, with collaboration from Jaqueline Vargas and Yoya Wursch, and directed by Del Rangel, the telenovela stars Day Mesquita, Daniel Alvim, Elaine Cristina, Marcos Winter, Thaís Pacholek, and Zé Carlos Machado. The story follows Maria Célia and Rubens Baronese, a couple whose lives are changed by a tragic conspiracy involving Maria's cousin Eunice, who plans to take away their newborn child. Years later, the consequences of this crime affect their families, revealing secrets, betrayals, ambition, and the struggle for truth, justice, and reconciliation.

No synopsis available yet.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

A maid from the countryside works for an old singer.

On an offshore oil rig, "Iron Island" showcases the duality of people who have their lives torn apart: wherever they are, they feel incomplete. In this scenario, Dante, the oil rig's production coordinator, is an irascible man who sees his life collapsing between the turmoil in the high seas and family dilemmas on solid ground.

No synopsis available yet.

Vende-se um Véu de Noiva is a Brazilian telenovela produced and broadcast by SBT from June 16, 2009, to January 9, 2010. It is based on the radio serial of the same name written by Janete Clair, which was also adapted into the 1969 telenovela Véu de Noiva by TV Globo. Created and adapted by Íris Abravanel, with collaboration from Jaqueline Vargas and Yoya Wursch, and directed by Del Rangel, the telenovela stars Day Mesquita, Daniel Alvim, Elaine Cristina, Marcos Winter, Thaís Pacholek, and Zé Carlos Machado. The story follows Maria Célia and Rubens Baronese, a couple whose lives are changed by a tragic conspiracy involving Maria's cousin Eunice, who plans to take away their newborn child. Years later, the consequences of this crime affect their families, revealing secrets, betrayals, ambition, and the struggle for truth, justice, and reconciliation.

No synopsis available yet.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

A maid from the countryside works for an old singer.

On an offshore oil rig, "Iron Island" showcases the duality of people who have their lives torn apart: wherever they are, they feel incomplete. In this scenario, Dante, the oil rig's production coordinator, is an irascible man who sees his life collapsing between the turmoil in the high seas and family dilemmas on solid ground.

'Second Call' focuses on the resilience stories of teachers and students in a complex public education system. After some time off from teaching, Lúcia Helena returns to the classroom, now giving night classes to teenagers and adults. Along with other three teachers and the principal, she faces institutional adversities and the lack of appreciation without flinching. The conflicts involve both the faculty and the student body and, in this scenario, Education emerges as a hope, reminding everyone that it is never too late to have a second chance.

Staying at home has become a form of survival in times of pandemic and the days seem to repeat itself. Now Murilo tries not to go crazy by touching life from the inside of the house.

No synopsis available yet.

A lazy brother-in-law lives with his family.

No synopsis available yet.