George Willeman

Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.

A man takes matters into his own hands when a pharmaceutical kingpin moves into his town to cause some real trouble.

An exploration of film preservation and restoration in the United States.

This documentary short takes you inside the fascinating world of film preservation and restoration.

While shopping at Earl’s All American Exquisite Antique-O-Rama, Brad and Cat decide to buy a mummy. But what begins as a joke quickly unravels in this crazy horror spoof starring J. Todd Anderson, Adam Rihacek and Natasha Randall. The visually striking comedy marks the sophomore feature of writer-director Anderson, the longtime storyboard artist and visual consultant for the Coen brothers

The majority of films made before World War II are missing. They have rotted, or destroyed accidentally or on purpose. Horror classics like LONDON AFTER MIDNIGHT might be gone forever. Many other films are presently in danger of decomposition. LOST EMULSION tells that story, and the story of film restoration. Discover the plight of the lost films like the Edison Frankenstein, the work of Theda Bara, Lon Chaney, Wallace Reid, Joan Blondell, Raoul Walsh and more. Learn firsthand what The Library of Congress is doing to preserve our film heritage.

While shopping at Earl’s All American Exquisite Antique-O-Rama, Brad and Cat decide to buy a mummy. But what begins as a joke quickly unravels in this crazy horror spoof starring J. Todd Anderson, Adam Rihacek and Natasha Randall. The visually striking comedy marks the sophomore feature of writer-director Anderson, the longtime storyboard artist and visual consultant for the Coen brothers

While shopping at Earl’s All American Exquisite Antique-O-Rama, Brad and Cat decide to buy a mummy. But what begins as a joke quickly unravels in this crazy horror spoof starring J. Todd Anderson, Adam Rihacek and Natasha Randall. The visually striking comedy marks the sophomore feature of writer-director Anderson, the longtime storyboard artist and visual consultant for the Coen brothers