Inés Murillo

While trying to save the famous Tivoli burlesque theater, the participants uncover a web of commercial corruption.

A 1968 film.

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

Luisa returns to her village, where she cares for her uncle on his deathbed, who tells her the story of his life with a hidden purpose.

Mario Moreno portrays a professor in this movie. A small town in the middle of no where requests the school Mario Moreno is working in for a teacher. He ends up going to give the town a hand. When he arrives he comes to know the corrupt leaders who through out the movie try to make him leave. Although he is being harassed you can see how much he cares for the kids and their circumstances. He deals with problems by using his hilarious comments.

A smuggler, condemned to be shot, is pardoned in exchange for kidnapping "La Valentina."

A Catholic priest in a poor community lives a charitable life in accordance with his religious principles, but others do not return the favor.

After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.

Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.

A disciplined and sexually driven man forces his family to stay isolated in their home in order to protect them from the “evil nature” of human beings.

A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.

Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.

A man hated by his father and in love with a beautiful woman whose brothers do not approve of the relationship and persecute him.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

Pedro Ortiz, a brave charro, arrives to a fishing village that is passing hard times. There's no fish in the waters. His manners and his love for Maria, a local attractive widow, will get him into trouble

Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.

Stranger with a dark past infects a small-town girl with HIV, and the contagion spreads out from there. Public health officials get involved...

In this Mexican version of Winterset (inspired by the 20s Sacco Vanzetti case) an idealistic youth searches for the culprit behind a crime that his father was wrongly accused of several years before.

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

A pregnant and very poor woman has no place to give birth, and turns to a society lady for help.

Luis Fuentes, a singer of Mexican music, comes to know a journalist by the name of Maria Luisa Cortéz and fall madly in love with each other. In time, the couple gets married and come to have a son, Rafael. However, they soon divorce because of Luis's many commitments as a singer. This strains the relationship between Luis and Maria, so much so that Maria, stung by bitterness, teaches her son to despise his father and manages to move from Mexico to the United States to keep Luis from contacting his son. Luis wants nothing more than to regain his lost relationship and affection with his beloved son. Therefore, time after time he visits Maria in hope of winning over his son's affection with little success. Over time, Rafael, now a young man, comes to have a passion for music just like his father despite having a hatred for him.

Thriller directed by Arturo Ripstein.

Juan Gabriel became one of the most popular Mexican singer-songwriters, beginning his career in this Ciudad Juárez cabaret. This is his story.