Alice B. Russell

Naomi, a light-skinned Black child, is abandoned by her mother and raised by the virtuous Mrs. Saunders. When the girl's fixation with whiteness turns her against her own race, she is sent to a convent. Hopelessly in love with her adoptive brother Jimmie, Naomi consents to marry his friend, but is repulsed by his darker skin and unrefined ways.

A Black night watchman at a chemical factory finds the body of a murdered white woman. After reporting it, he finds himself accused of the murder.

A movie producer offers a nightclub singer a role in his latest film, but all he really wants to do is bed her. She knows, but accepts anyway. Meanwhile, a patron at the club gets a note saying that she'll soon get another note, and that she will be killed ten minutes after that.

After graduating from Harvard University, Peter Siner returns to his small Tennessee hometown, where he hopes to start a school for black children.

Film producer Winston L. Jaune gives his brother J. Lee a job in his company. J. Lee promptly steals company funds, spends lavishly in cabarets, at wild parties, and on women putting the company in financial difficulties.

Con artists try to trick an old man out of his life savings.

A Black night watchman at a chemical factory finds the body of a murdered white woman. After reporting it, he finds himself accused of the murder.

After graduating from Harvard University, Peter Siner returns to his small Tennessee hometown, where he hopes to start a school for black children.

With a series of long takes and frontal camera set-ups, Micheaux provides a record of several cabaret acts, using intertitles to separate the individual numbers. This quietly outrageous film begins with the high-toned Heywood Choir singing "Watermelon time" and concludes with Amon Davis playing a preacher using heavy blackface. Amon Davis was known as "the Back Biting Comedian, Par Excellence", and his sermon is one of Micheaux's many notable send-ups of the clergy.