Cindy Silver

A grief-stricken cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student. The two forlorn souls develop a special connection.

Nathan Silver has been casting his mother, Cindy, in his independent feature films since 2012. And though Cindy always insists she’s “not an actress—I’m just your mother,” when Nathan cuts almost all her scenes from one of his movies, Cindy’s disappointment goes beyond a matter of simple creative differences. In this new documentary series, we follow Nathan and Cindy as they try to repair their relationship over the dinner table, at the synagogue, and, finally, on the set of a film where Nathan cedes the director’s chair to a promising new talent: his own mother.

Gina, an American flight attendant, falls in with a Parisian bartender on a layover only to find herself tangled in a web of deception, delusion and unrequited amour fou.

A live-in aide adjusts to life with the family who employ her.

Needing a sudden escape from the city, Robbie leaves Brooklyn to stay in the Hudson Valley with his aunt, who runs a home for pregnant teens. As the only man in the house, Robbie captures the attention of many of the girls, and when he strikes up a friendship with Nina, who is dealing with her own relationship troubles, tensions run high in the house.

When director Nathan Silver cuts his mother's scenes from one of his movies, her disappointment goes beyond creative differences. In this new documentary series, they try to repair their relationship.

Nathan Silver has been casting his mother, Cindy, in his independent feature films since 2012. And though Cindy always insists she’s “not an actress—I’m just your mother,” when Nathan cuts almost all her scenes from one of his movies, Cindy’s disappointment goes beyond a matter of simple creative differences. In this new documentary series, we follow Nathan and Cindy as they try to repair their relationship over the dinner table, at the synagogue, and, finally, on the set of a film where Nathan cedes the director’s chair to a promising new talent: his own mother.