Diego el Cigala

"Football is synonymous with childhood and the neighborhood," asserts an interviewee in ‘La soledad del jugador de banda’ (‘The Loneliness of the Left Wing-Back’). Through the analogy between football and cinema, this documentary addresses the social, community, and identity-shaping power of the sport. Set against the backdrop of the working-class neighborhoods in southern Madrid, it reveals the desire to make films and the opportunities available to the working class to do so. Thus emerges a metacinematic narrative to reflect on form and the implications of creators and their desires. Furthermore, it explores how the communities built around football interact with the "other"—with the marginalized—through homophobia and machismo in sports. The filmmaker lays himself bare to tell his story as a fan, a player, a queer individual, and an aspiring filmmaker.

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An unforgettable concert performance by Diego El Sigala at the Gran Rex Theater in Buenos Aires in April 2011. The concert ended with thunderous applause, 3000 of the audience, filling the legendary theater. A special performance in which El Cigala and his Spanish and Argentinean fellow musicians interpreted the classics of the Argentinean repertoire, such as Las cuarenta, Sus ojos se cerraron and Tomo y limo, and contemporary works such as Garganta con arena, by Cacho Castagni. In addition, it contains four tracks that are not in the album: Tema de Amor, from the soundtrack to the Godfather), San Migueles, El Chorrito and Dos Gardenias.

For this second film in the cult comedy series Torrente takes our fat police officer from Madrid to Marbella in Spain to investigate a villain’s plot to destroy the city with a missile. This James Bond style slapstick comedy became the most successful box-office film in Spanish film history beating out only the first Torrente film.

Cuban pianist Bebo Valdés and Spanish singer Diego el Cigala perform live at the Costa Nord cultural center in Valldemossa, Mallorca, Spain, on June 22, 2003.