Mark Cousins

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

In this new documentary, Susan Kemp explores the life and work of the great British director Antonia Bird, who died in 2013. Bird blazed a trail from the radical hotbed of the Royal Court Theatre in the 70s, via the groundbreaking early days of EastEnders and Casualty in the 80s, all the way to Hollywood in the 90s and back again. She always had something urgent to say, but her career was a long struggle to get her voice heard. Featuring many of her close collaborators, including Robert Carlyle, Irvine Welsh, Kate Hardie and Mark Cousins, this documentary is the first to examine Bird’s legacy, and to place her where she belongs – among the most important British film, TV and theatre directors of her era.

A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

A tribute to legendary 20th-century filmmaker Bernardo Bertolucci, examining his cinema, art, and life.

Joining Oscar-winning producer Jeremy Thomas on his annual pilgrimage to the Cannes Film Festival, filmmaker Mark Cousins gives an intimate glimpse into the life of the legendary icon behind some of the most controversial and acclaimed films of all time.

Directed by Mark Cousins, My Name is Alfred Hitchcock re-examines the vast filmography and legacy of one of the 20th century’s greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice.

Nancy Franklin was so overwhelmed by the film 'I Know Where I'm Going!' (1945) that she traveled from New York to the Western Isles of Scotland to see the places where it was made and to find out more about the people who made it. This documentary retraces her steps on a subsequent visit.

In 2017 Tyneside Cinema turned 80.

The film was produced by Nick Higgins from Lansdowne Productions and Noémie Mendelle from the Scottish Documentary Institute and has 10 film-chapter directors for each of the 10 chapters of the film. The film's unifying theme is human rights in Scotland with each chapter illustrating one of the "New Ten Commandments" - 10 articles chosen from the Universal Declaration of Human Rights. The 10 film chapters of The New Ten Commandments 1. The Right to Freedom of Assembly - Dir, David Graham Scott 2. The Right not to be enslaved - Dir, Nick Higgins 3. The Right to a fair trial - Dir, Sana Bilgrami 4. The Right to freedom of expression - Dir, Doug Aubrey 5. The Right to life - Dir, Kenny Glenaan 6. The Right to liberty - Dir, Irvine Welsh & Mark Cousins 7. The Right not to be tortured - Dir, Douglas Gordon 8. The Right to asylum - Dir, Anna Jones 9. The Right to privacy - Dir, Alice Nelson 10. The Right to freedom of thought - Dir, Mark Cousins & Tilda Swinton.

A documentary celebrating the work of Walerian Borowczyk, a director of unparalleled sensitivity, revered in the 1970s, who was later labeled as a maker of erotic movies.

One of the most important women in British modern art, the painter Wilhelmina Barns-Graham was a highly inspirational figure, whose work was deeply impacted by a pivotal event in her life. In May 1949, this leading representative of the modernist St Ives group of artists climbed to the top of the Grindelwald glacier in Switzerland, an experience which was to transform the way she saw the world.

Filmmaker Mark Cousins goes to Albania for five days, and films what he sees. He discovers that the movie prints in the country's film archive are decaying. In investigating this, Cousins begins to encounter bigger questions about the history and memory of a place. Perhaps a country whose 20th Century, dominated by its authoritarian ruler Enver Hoxha, was so traumatic, should allow its film heritage to fade away? Perhaps a national forgetting should be welcomed? Influenced by the films of Chris Marker, Cousins' film broadens to consider the architecture of dictators and the great icon paintings of Onufri. In the past, when cartographers knew little about a country, they wrote on it Here be Dragons. Albania was, for decades, one of the least well know countries in the world. Cousins' road movie meditation takes the advice of Goethe: "If you would understand the poet, you must go to the poet's land."

Filmmaker Mark Cousins, who was brought up in a Northern Irish war zone, travels to Goptapa, a Kurdish-Iraqi village of just seven hundred people on a tributary of the Tigris river, and tries to make a dream film about a place that is normally only portrayed in current affairs programmes. He gives the kids cameras, and they make their own little movies about war, love, a fish that goes to a magical place, and a chicken who debates justice.

A documentary feature film that ties four narratives - from China, India, Scotland, and Tunisia - together with countless insights from venerable filmmakers and ordinary moviegoers. An aspiring actress in Mumbai battles to break into Bollywood; two friends in Scotland take a mobile film festival across the highlands; a young crew in Hong Kong embarks on the shooting of its first film; a Tunisian director anxiously anticipates the premiere of his controversial film at a major festival. These stories are woven together with scenes from video stores, projection booths, studios, cinemas, and slums into a vivid meditation on the power of cinema to shape our world.

Tracing the history and influence of Iranian cinema and its filmmakers.

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

A feature-length documentary on the life and work of Wisconsin grindhouse cinema auteur Bill Rebane, featuring historians, critics, and filmmakers, plus cast and crew members who worked with Rebane himself.

The final chapter of his exceptional 15-part documentary exploring the history of cinema, The Story of Film: An Odyssey. Mark Cousins builds a bridge between the “before” of the health crisis, and the “after”.

As he prepares for surgery to restore his vision, Mark Cousins explores the role that visual experience plays in our individual and collective lives. In a deeply personal meditation on the power of looking in his own life, he guides us through the riches of the visible world, a kaleidoscope of extraordinary imagery across cultures and eras. At a time when we are more assailed by images than ever, he reveals how looking makes us who we are, lying at the heart of the human experience, empathy, discovery and thought. He shares the pleasure and pain of seeing the world, in all its complexity and contradiction, with eyes wide open. As the COVID-19 pandemic brings another dramatic shift of perspective, he reaches out to the other lookers for their vision from lockdown, and he travels to the future to consider how his looking life will continue to develop until the very end.

A documentary which explores the lives and tragic deaths of Marceline Orbes and Francis "Slivers" Oakley, the suicidal clowns who inspired Charlie Chaplin and Buster Keaton.

For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.

The film marks 50 years since riots erupted across Northern Ireland, widely seen as the beginning of the thirty-year conflict known as The Troubles. Mark Cousins – who left Belfast at 18 – returns to his hometown to reflect on how the place and its history have been used and occasionally abused by cinema. He traces how the legacy of division has impacted on the nation’s cinematic imagination; and, in a city that once had one of the highest rates of movie-going in the UK, he scrambles around the ruins of Belfast’s once-grand cinemas.

An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends the concept of "essay film" with startling confrontations in the arenas of cultural issues, gender politics and differing artistic sensibilities. A unique journey into the minds of two exceptional filmmakers which becomes a love affair on film.

Documentary filmmaker Mark Cousins follows in the footsteps of DH Lawrence in this dazzling road-trip through Sardinia.

Documentary filmmaker Mark Cousins follows in the footsteps of DH Lawrence in this dazzling road-trip through Sardinia.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.

A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

Joining Oscar-winning producer Jeremy Thomas on his annual pilgrimage to the Cannes Film Festival, filmmaker Mark Cousins gives an intimate glimpse into the life of the legendary icon behind some of the most controversial and acclaimed films of all time.

Joining Oscar-winning producer Jeremy Thomas on his annual pilgrimage to the Cannes Film Festival, filmmaker Mark Cousins gives an intimate glimpse into the life of the legendary icon behind some of the most controversial and acclaimed films of all time.

Directed by Mark Cousins, My Name is Alfred Hitchcock re-examines the vast filmography and legacy of one of the 20th century’s greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice.

Directed by Mark Cousins, My Name is Alfred Hitchcock re-examines the vast filmography and legacy of one of the 20th century’s greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice.

Nancy Franklin was so overwhelmed by the film 'I Know Where I'm Going!' (1945) that she traveled from New York to the Western Isles of Scotland to see the places where it was made and to find out more about the people who made it. This documentary retraces her steps on a subsequent visit.

The film was produced by Nick Higgins from Lansdowne Productions and Noémie Mendelle from the Scottish Documentary Institute and has 10 film-chapter directors for each of the 10 chapters of the film. The film's unifying theme is human rights in Scotland with each chapter illustrating one of the "New Ten Commandments" - 10 articles chosen from the Universal Declaration of Human Rights. The 10 film chapters of The New Ten Commandments 1. The Right to Freedom of Assembly - Dir, David Graham Scott 2. The Right not to be enslaved - Dir, Nick Higgins 3. The Right to a fair trial - Dir, Sana Bilgrami 4. The Right to freedom of expression - Dir, Doug Aubrey 5. The Right to life - Dir, Kenny Glenaan 6. The Right to liberty - Dir, Irvine Welsh & Mark Cousins 7. The Right not to be tortured - Dir, Douglas Gordon 8. The Right to asylum - Dir, Anna Jones 9. The Right to privacy - Dir, Alice Nelson 10. The Right to freedom of thought - Dir, Mark Cousins & Tilda Swinton.

One of the most important women in British modern art, the painter Wilhelmina Barns-Graham was a highly inspirational figure, whose work was deeply impacted by a pivotal event in her life. In May 1949, this leading representative of the modernist St Ives group of artists climbed to the top of the Grindelwald glacier in Switzerland, an experience which was to transform the way she saw the world.

One of the most important women in British modern art, the painter Wilhelmina Barns-Graham was a highly inspirational figure, whose work was deeply impacted by a pivotal event in her life. In May 1949, this leading representative of the modernist St Ives group of artists climbed to the top of the Grindelwald glacier in Switzerland, an experience which was to transform the way she saw the world.

Filmmaker Mark Cousins goes to Albania for five days, and films what he sees. He discovers that the movie prints in the country's film archive are decaying. In investigating this, Cousins begins to encounter bigger questions about the history and memory of a place. Perhaps a country whose 20th Century, dominated by its authoritarian ruler Enver Hoxha, was so traumatic, should allow its film heritage to fade away? Perhaps a national forgetting should be welcomed? Influenced by the films of Chris Marker, Cousins' film broadens to consider the architecture of dictators and the great icon paintings of Onufri. In the past, when cartographers knew little about a country, they wrote on it Here be Dragons. Albania was, for decades, one of the least well know countries in the world. Cousins' road movie meditation takes the advice of Goethe: "If you would understand the poet, you must go to the poet's land."

Filmmaker Mark Cousins goes to Albania for five days, and films what he sees. He discovers that the movie prints in the country's film archive are decaying. In investigating this, Cousins begins to encounter bigger questions about the history and memory of a place. Perhaps a country whose 20th Century, dominated by its authoritarian ruler Enver Hoxha, was so traumatic, should allow its film heritage to fade away? Perhaps a national forgetting should be welcomed? Influenced by the films of Chris Marker, Cousins' film broadens to consider the architecture of dictators and the great icon paintings of Onufri. In the past, when cartographers knew little about a country, they wrote on it Here be Dragons. Albania was, for decades, one of the least well know countries in the world. Cousins' road movie meditation takes the advice of Goethe: "If you would understand the poet, you must go to the poet's land."

Filmmaker Mark Cousins, who was brought up in a Northern Irish war zone, travels to Goptapa, a Kurdish-Iraqi village of just seven hundred people on a tributary of the Tigris river, and tries to make a dream film about a place that is normally only portrayed in current affairs programmes. He gives the kids cameras, and they make their own little movies about war, love, a fish that goes to a magical place, and a chicken who debates justice.

Filmmaker Mark Cousins, who was brought up in a Northern Irish war zone, travels to Goptapa, a Kurdish-Iraqi village of just seven hundred people on a tributary of the Tigris river, and tries to make a dream film about a place that is normally only portrayed in current affairs programmes. He gives the kids cameras, and they make their own little movies about war, love, a fish that goes to a magical place, and a chicken who debates justice.

In 1993 Sarajevo was under the siege. Against all odds a small group of enthusiasts managed to open the First War Cinema in Sarajevo. For them this cinema was a distinction between surviving and being alive. Twenty years afterwards the marks of being alive resurface.

Tracing the history and influence of Iranian cinema and its filmmakers.

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

The final chapter of his exceptional 15-part documentary exploring the history of cinema, The Story of Film: An Odyssey. Mark Cousins builds a bridge between the “before” of the health crisis, and the “after”.

The final chapter of his exceptional 15-part documentary exploring the history of cinema, The Story of Film: An Odyssey. Mark Cousins builds a bridge between the “before” of the health crisis, and the “after”.