Hwang Gyu-deok

a 1982 8mm film produced by Moon Won-leaf and Seoul Film Collective(Seouryeonghwajipdan).

Chulsoo is a punk kid who always plays tricks on others. One day, while he is picking on somebody as usual, he meets Younghee, a new transfer student, who becomes his class partner. He starts to like her. Younghee is a precocious smart girl who lives with her grandmother alone. Her grandmother owns a flower shop and she helps her grandma by delivering flowers. Though Younghee looks lively, she misses her deceased parents at heart.

Chulsoo is a punk kid who always plays tricks on others. One day, while he is picking on somebody as usual, he meets Younghee, a new transfer student, who becomes his class partner. He starts to like her. Younghee is a precocious smart girl who lives with her grandmother alone. Her grandmother owns a flower shop and she helps her grandma by delivering flowers. Though Younghee looks lively, she misses her deceased parents at heart.

In order to celebrate the 20th anniversary of the Korean Film Academy, 20 of the academy's former students (who are respected director's today) were invited to shoot an omnibus movie consisting of 20 short films. Overall this work was very well received by the critiques at the 17th Tokyo International Film Festival. The films include Twenty, Secrets and Lies, Looking for Sex, Race, A Runners High, Neighborhood, My Baby, It's different On Mobile Queen, At 2 O'clock and Sink & Rise.

An ordinary college boy Su-young meets an extraordinary girl named Pippi on campus. After he witnesses her suicide, bizarre things begin to happen...

An ordinary college boy Su-young meets an extraordinary girl named Pippi on campus. After he witnesses her suicide, bizarre things begin to happen...

An ordinary college boy Su-young meets an extraordinary girl named Pippi on campus. After he witnesses her suicide, bizarre things begin to happen...

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Performance Arirang is the first independent documentary produced outside the institutional system. Using Yeonwoo Stage theater group's production Pannori Arirang Gogae as its subject matter, the film takes a unique approach by separating visual and audio elements - showing rehearsal scenes, preparation footage, dressing room moments, and performance scenes while overlaying them with live performance audio, audience reactions, interviews, and recordings from Yeonwoo Stage's evaluation sessions. The intentional dissonance between visual and audio elements is interpreted as a means to actively engage viewers with the film. The inclusion of edited interviews from various individuals as off-screen sound suggests an intention to reflect on reality and reconsider the meaning of both Pannori Arirang Gogae and the film Performance Arirang within that reality.